Apocalipopótese

Rogério Duarte is one of the most important names in Tropicália, a Brazilian cultural movement of the 1960s. The plastic artist was one of the first to publicly denounce the tortures committed in the military regime. During the dictatorship, its political action and its cultural achievements mobilized many artists and inspired a whole generation.

An experimental film on Brazilian avant-garde artist Hélio Oiticica and his works, especially the Parangolés.

Hélio Oiticica was one of the artists that most united reflection with artistic creation. His ideas and propositions, expressed not only in texts but also in statements and interviews, revolutionized art and culture, transforming him into one of the most important Brazilian artists of the 20th century. Foregoing voiceover narration and expert analyses, the film allows Oiticica himself to narrate his life and expound upon his art in his own words, and in extremely rare archival audio and visual material.

Follows the story of Opinião, a theatre group created in 1964 during the early Brazilian dictatorship period to oppose the government through artistic performances. Considered the first left-wing response to the dictatorship, the group gathered now famous Brazilian artists such as Nara Leão, Maria Bethânia, João do Vale and Millôr Fernandes.

A reflection on the works and thinking of the last years of production by Torquato. Such as the magazine "Navilouca", the film "Terror da Vermelha", the column "Geleia Geral" and the controversial Cinema Novo X Marginal, among other passages important aspects of Brazilian culture in the 60s and 70s.

Set against the turbulent atmosphere of the 1960s, Tropicália is a feature length documentary exploring the Brazilian artistic movement known as Tropicália, and the struggle its artists endured to protect their right to freely express revolutionary thought against the traditional Brazilian music of that time.

A totally Cardoso-appropriated footage delirium, done as a tribute to US independent cinema's original rebel. In the end, Corman himself blesses Cardoso by saying: "You blended horror, sex and humour very well. And particularly the editing is very good because the film never lagged or slowed down". Which film? This one!

A sound and visual journey that portrays the life and work of singer and composer Luiz Melodia. The Poet of Estácio himself tells us, in the first person, his trajectory as a black boy born on the hill until his transformation into one of the greatest artists in the history of MPB. The film also features an unpublished collection made available by Jane Reis, his wife and businesswoman.

A rescue of the history of Ipanema beach in the 1970s, when the construction of a pier changed the landscape and created fertile soil for a generation of artists and sportsmen.

A panorama of Brazilian popular music from the 60s and 70s through the musical group Novos Baianos. A retrospective of the community lifestyle adopted by its members and the influence inherited from singer João Gilberto.

In Manhattan and Wall Street's majestic, neoclassical architecture, characters try their luck, ambiguously posted between the mundane and transcendence.

Lygia Pape created O ovo in 1967 and showed it in the group exhibition Apocalipopótese, held at Aterro de Flamengo in Rio de Janeiro in 1969. The work consisted of three cubes made of wooden boards, with each side covered with a layer of blue, red, or white plastic film. The participant would enter the structure through the open bottom side of the cube and push the film/skin in order to simulate the act of being born. Before showing the work, the artist herself entered one of the cubes. She described her experience: "You are trapped inside, covered by a sort of membrane; when you push on it with your hand, the membrane starts to give and suddenly tears, and so you are born: you stick your head out of the hole and roll on out." After the military coup d'état in Brazil in 1964, Pape devoted most of her practice to film and continued to make experimental films into the 1970s.

Brazilian poet Torquato Neto's only incursion on filmmaking, "Terror da Vermelha" is an avan-garte horror film shot with a Super 8 camera at Teresina, Piauí.

Sensuality, beauty, sophistication, elegance turning into a great debauchery. Both sides: chic and tacky. Where does one start? Where does the other end? Black tie party with pool, "waterfalls", champagne and murder. A police farce full of humor to the sound of great hitz by Artie Shaw, Marilyn Monroe, Alberta Hunter, Andre Previn and Gipsy Kings.

On the street, two boys meet. The film moves towards homoerotic suggestions of delicacy and violence. Accompanied by the fast camera, the performances of Torquato Neto and Zé Português dialogue with the soundtrack, composed of songs sung by Luiz Melodia, such as Negro Gato. Graphic elements and posters make up the narrative.

A satire on the relationship between the artist and the art market.

This film shows people with constant psychological and social conflicts: the violence among outlaws, conflicts between man and woman, police and society.

A fragmented style, patchwork of interviews with Caetano Veloso's friends, mixed with conversations, thoughts, scenes of dance and literature excerpts.