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The dawn is strange, with a harbinger of change. The next morning, Maria receives a mysterious visitor that leaves José disturbed and will lead her to re-signify her own destiny.

After a bloody invasion of the BOPE in the High-Security Penitentiary Bangu 1 in Rio de Janeiro to control a rebellion of interns, the Lieutenant-Colonel Roberto Nascimento and the second in command Captain André Matias are accused by the Human Right Aids member Diogo Fraga of execution of prisoners. Matias is transferred to the corrupted Military Police and Nascimento is exonerated from the BOPE by the Governor.

Three stories of infidelity unfold: a man falls for a married woman, a young girl draws the gaze of her sister’s fiancé, and a husband takes his unfaithful wife hostage after discovering her affair with his best friend.

Moments before turning 90 years of age, Alberto remembers his life, lived in Copacabana, a neighborhood in Rio de Janeiro. The film is a comedy about old age nowadays, with Copacabana as a background.

The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.

Two brides wait in a church room while their marriages don't begin. But they are not anxious, as expected: they do act like ghosts in existential horror. As they wait to be called to the start of their respective ceremonies, they reflect on their relationships and lives.

Best buddies Acerola and Laranjinha, about to turn 18, discover things about their missing fathers' pasts which will shatter their solid friendship, in the middle of a war between rival drug gangs from Rio's favelas.

"The Baron" wanted to commit the perfect heist involving 3 tons of money and no violence. For this he would need the right people willing to get 1 million dollars to take part in this job. Based on true events, in 2005, 168,000,000 Brazilian Real (almost 80,000,000 US dollars) were stolen from a Brazilian Central Bank (Federal Reserve), making it the biggest peace-time robbery in history. It was perhaps the most audacious bank heist ever.

Three young Brazilian try to help a terminally ill woman who lives in the slums of Rio de Janeiro. Their youthful idealism is shattered with the cruel reality of police brutality.

A soldier coming home after the Paraguay War meets a theater group. A shock between war and art.

Two brothers are reunited in Lisbon to throw their father's ashes in three places in Portugal. This journey opens up affective issues between the brothers, where the past and the present refer to each other.

Andréa, a poor telemarketing salesgirl, dreams of being a singer. Her rich boyfriend Fred hires a musical producer, Marcelo, to turn her into a star. But she and Marcelo end up falling in love.

Greg (Jorge Caetano) is a screenwriter hired to write a script about Maria Guaranis, a radical-style artist who has gone missing. As the author produces the script, he ends up identifying with Maria and getting lost in the creation process.

Three ghosts are trapped in a house and haunt each new resident in order to finish their mission on Earth so they can move on to the next life. That is until a couple of architects move to the place and decide to renovate it, revitalizing it. However, they end up discovering that the mansion was the site of an old concert hall called "Fervo" and go through a series of misunderstandings with the ghosts played by Rita Von Hunty, Gabriel Godoy and Renata Gaspar.

City of God – 10 Years Later investigates what happened to the actors who took part in the award-winning film directed by Fernando Meirelles and Katia Lund. This documentary shows what City of God’s worldwide success meant to their lives. Were the actors prepared for the film’s success? Did the social background of some of them prove stronger than the opportunity that came their way?

Director Luciano Vidigal discusses his short film "Lá do Alto"

Through their windows, residents report criticism, poetry and reflections on the Covid-19 pandemic in the Vidigal favela.

After another spat with her kids, Dona Hermínia decides to take some time off from them and hides away in her aunt's house, where she reminisces about her kids in an age when they still needed her.

In protest against the 500,000 deaths from COVID-19, five actresses recite poems by João Cabral de Melo Neto.

In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut recalls his trajectory