Alexandre O’Neill - Tomai lá do O’Neill

A look at the art of two pairs of brothers, plastic artists: João Queiroz, Jorge Queiroz; Pedro Tropa and Francisco Tropa.

Follows the creation of a stage play adaptation of "Moby Dick".

A documentary about the life and work of José Cardoso Pires. The information was gathered through a series of interviews made by the journalist Clara Ferreira Alves during autumn and winter of 1997 and also by people who were close to him.

Life of photographer Gérard Castello-Lopes, disciple of Cartier-Bresson.

Lisbon, 1938. Mr. Pereira is the editor of the culture section of an evening paper. Although fascism is on the rise in Europe, like in nearby civil war Spain or even inside Portugal itself in the form of Salazar's regime, Pereira only concerns himself with writing bios and translating French novels. Things change after he hires a young writer as his assistant, getting to know also his girlfriend – both opponents to the regime – and reluctantly helps them when they begin to get in trouble for subversive activities. Eventually, he's forced to take a stand...

When the child Manuel wanders into a garden that is off-limits to him, he meets an unidentified fisherman, and another boy -- the boy is actually himself several years down the road. Manuel experiences three different versions of his encounters in the garden, revealing that fate can have several twists and turns in one's life, depending on decisions that are made early on.

Alexandra Lencastre plays a woman who believes she is President of the U.S.A.

The complex relationship between master and servant is explored in director João Botelho's adaptation of Denis Diderot's popular novel Jacques le Fataliste et Son Maître. As Tiago (Rogério Samora) drives his master (André Gomes) through the Portuguese countryside to an unspecified destination, the traveling pair embark on a series of highly philosophical discussions. Flowing with tales of his life in the military and previous sexual escapades, Tiago trades a series of tales with his rapt passenger, including the story of a vengeful spurned lover who plots revenge on the nobleman who rejected her by transforming a prostitute into a society lady and convincing him to marry the tainted bride.

Spino, a pathologist, receives an unidentified body which looks familiar to him... himself, 30 years younger.

Business tycoon dies in plane crash. Suspected, Georg, his main partner, Alain, a young Turkish finance, and Anna Maria, the group's proxy, are all seeking his succession.

In Lisbon, French author Paul meets various people from his past who uncover forgotten memories.

The enigmatic but vivid imagery of this loosely plotted film is based on a similarly evocative novel by the Italian author Antonio Tabucchi, Noturno Indiano. An old friend of the hero's has been living in Bombay with a prostitute. His friend Peter Schlemihl (Otto Tausig) is a concentration camp survivor, who went to India after being captivated by a photograph he saw there. When the prostitute writes to him in Europe asking that he rescue his friend from a mysterious malaise, he flies into India to try and help. When he gets to Bombay, he discovers that his friend has disappeared. Following the clues left behind by the friend, and based on his acquaintance with him, he journeys to Madras to speak to a Theosophist dignitary there, and then journeys on to Portugues Goa. With each step of his journey, the hero (Jean-Hugues Anglade) becomes more identified with his friend, and re-enacts in his own person the transformations he must have experienced.

"Dama de Porto Pim" tells the story of a rich woman who arrives at a little Portuguese island while her husband is in the II World War; there, a humble fisherman, promised to marry a girl of the town, falls in love with her, and she will also fall in love with him, but his husband could come back.

After a fatal crash involving her brother, Elsa tries to escape her corrupt & prejudiced background, making Francisco (the victim’s dad) – a wealthy family’s driver – resign himself with the unavoidable so as not to compromise his employer’s son, thus trying to gain something from the tragedy.

What is the shady affair in which the woman is involved, and what is her role? Is or isn't the man a marquis? Who is the young man played by Fabrizio Bentivoglio, and why does he own that car? Does Basque nationalism have to do anything with the story? Everybody has something to hide, everybody seems guilty.