Alceu Valença - Na Embolada do Tempo

Develops from the life, work and memory of Gianfrancesco Guarnieri, one of the most important names in the history of Brazilian theater, to examine the courses of dramaturgy and politics in the last decades. Guarnieri, besides being a TV star, was also seen as the synthesis of the politically engaged artist in Brazil. His sons, also actors, saw a separation between art, work, and politics. As he investigates the portraits of two generations, grandson and director Francisco aims to understand the place of his own generation in history, in art and the world as a whole.

"JMB, O Famigerado" is an audiovisual bricolage assault featuring the subject-object Jomard Muniz de Britto—an organic/outsider bricoleur in his seventies who guides the viewer through the city of Recife, filmed both comfortably and uncomfortably by an imperious vampire filmmaker.

The historical, political, and social context of Brazil in the 1960s, 1970s, and 1980s, and the impact of each decade on the life and work of the acclaimed actress Marília Pêra.

Brazilian documentary that tells the story of Titãs, the most famous rock band in the country. The film was directed by one of the members, Branco Mello, using images recorded from the early 80's until the present day.

It explores Rita Lee's personal life and her creative process, revealing her musical talent and her ability to transform on stage. Rita herself guides the narrative through past interviews she gave throughout her career and current testimonies.

In less than ten months, the music band Mamonas Assassinas went from being completely unknown to becoming one of the biggest phenomena in Brazilian music. Irreverent, intelligent, sarcastic and creative, the band took over Brazil and sold two million albums in just six months. Never-before-seen footage and interviews from family, friends, producers, and musicians tell the band’s story, their challenges, their rise to fame, and the tragic aeroplane accident that killed all its members in 1996.

Inspired by Eduardo Coutinho's films, debutant director Davi Kinski proposes the documentary Poemaria, assembled from conversations with 24 personalities. The subject: poetry.

Between February an May of 1970, Julio Bresane and Rogerio Sganzerla made 7 films for their company Belair that were forbidden by the Brazilian censorship that reveal today images of an unique freedom.

From his origins as a poet to his success as a singer and composer, Arnaldo Antunes revisits the most remarkable moments of his career.

The documentary retraces the band's meteoric rise, as they became the biggest phenomenon in Brazilian music in 1995 — and one of the most remarkable in the country's history.

A host of personalities reminisce about the life and work of songwriter, lawyer, and congressman Humberto Teixeira — aka "Baião Doctor" — the author of such classic Brazilian popular songs as "Asa Branca". A musical film about the baião, a movement in Brazilian music in the 1940s and 1950s that was later snowed under by samba and bossa nova.

Through rare and precious footages and gigs with great artists such as Gilberto Gil, Gal Costa, Hermeto Pascoal, Djavan, Nara Leao, Luiz Gonzaga, among many others, "Dominguinhos" reveals this genius of Brazilian music, creator of a deeply authentic, universal and contemporary work. The film values the sensory cinematic experience, a journey driven by Dominguinhos his own.

Chacrinha's legacy on TV and excerpts from his personal life are revealed through testimonials and archive images, which tell the story behind the cameras, the behind the scenes that consolidated a new way of communicating Brazil and the facets of a man who is one of the most interesting contemporary characters on the national cultural scene.

The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.

A Lebanese photographer living in Brazil in the '30s manages to film the band of Lampião, a legendary Brazilian bandit.

The legendary singer-songwriter Alceu Valença through the lenses of directors Jomard Muniz de Britto and Rucker Vieira.

Miguel is a federal agent, highly trained and skilled in weapons. After experiencing trauma in his personal life, he sets out on a journey of revenge, assuming the identity of a masked vigilante. The Awakener decides to do justice with his own hands by exterminating corrupt politicians.

The proletariat are exploited by the bourgeoisie inside a gigantic robot-building. The situation gets worse and worse until, one day, they decide to take action.

Three children are caught in school with an erotic book. His parents are called by the leadership to discuss the problem. During the meeting, comes to surface the love and sexual problems of these three couples; such as lack of desire, betrayal, love, passion, insecurity and provocations.

Moments before a father's death, all of his family memories are transferred to his son through a dream, from the first ancestor, an Englishman living at the end of the 18th century, to his Brazilian heirs, the protagonists of this story.

The troubled adventures of a country novice who goes to the big city to work as a nanny, taking care of the young and rebel sons of a widow businessman.

Luiz Gonzaga decides to change his destiny and leaves his childhood home for the big city to overcome a romance. When he arrives, he meets a woman he falls in love with, the Odaleia (Nanda Costa). After the birth of his son and his wife's health complications, he decides to return to the road to ensure a better future for his son. He has a friend in Rio de Janeiro and with him leaves the little one and heads to Brazil. He didn't imagine that this distance between them would develop into a complicated relationship, enhanced by the strong personalities of both. Based on conversations between father and son, this is the story of Luiz Gonzaga, a singer and accordion player known as Rei do Baião or Gonzagão.

Seeing his farm in ruins, swindler tries to sell it to the first interested person, who happens to be a man who fakes being a millionaire but in fact cannot pay for the estate.

A real state agency wants to buy and demolish the traditional school Matheus Rose, to use the lot to build a hotel. The proposition unleashes a feel of distrust among the school students and staff, especially with the arrival of new, mysterious students.

In a television program Angelica (Angelica), the daughter of a businessman who aspires to be a singer, eventually earning his "crazy dream", which is recording a video clip at the top of Sugar Loaf in Rio de Janeiro, with the Domino Group . The father forbids it to go, so she runs away with her boyfriend to the Sugar Loaf. When her father learns commands Didi (Renato Aragão), Dede (Dede Santana), Mussum (Mussum) and Zechariah (Zechariah) to think in three days or call the police. Trying to find her, the quartet falls into a hole in the Sugar Loaf which is populated by strange creatures, some good, the Grunks, and some bad, the Barks.

Kira is a botanist with magical abilities, though the origins of her powers remain unknown to her. Her life takes an unexpected turn when her friend Nanda discovers an elf named Damiz trapped in her room. They soon learn that Damiz is the prince of the elves and has been captured by Gorgon, a greedy executive who seeks to purchase the house where Nanda’s family lives. In order to help defeat Gorgon, Kira decides to venture into the world of the elves, where she uncovers hidden secrets about her past.

In the miserable Northeastern Brazil, a ruthless land Baron wants to throw a poor farming community out of their land.

Musical drama that uses popular myths of Brazilian culture to narrate a story full of meetings and misunderstandings, betrayals and loves, crimes and punishments. Against the backdrop of the Pernambuco backlands – its people and its culture, the cordel, the bandits, the cinema and the circus – the film is a universal drama, laden with unique poetry, where reality and the dreamworld mingle.