Al-Ozab Al-Thalatha

Master Farhat falls for the dancer Seham and decides to produce a movie for her. Seham is in love with Shaker and convinces Farhat to have him star opposite her in the movie. Shaker's friend, Saber, enlists his help to find a job, and Shaker introduces Saber to Farhat as an Italian director.

As Magdy leaves Upper Egypt for a job, he befriends the playboy Sami who impresses him with his many relationships. After a chance meeting with Hanan, Magdy asks for Sami's help to get close to her, something that Sami is happy to provide and support with previous experiences.

Hussein, a shy young man, is desperately in love with Samiha. However, Samiha is more interested in her singing and dancing cousin Lucy. Admiring Hussein greatly, Samiha's father attempts to help him and starts spreading the rumor that Hussein is having an affair with famous actress Hind Rostom, hoping jealousy will move the daughter's heart. The plan seems to work... until Hind Rostom herself comes to town.

It’s a romantic comedy dealing with social issues, shot in color and produced in 1975.

In the blasting heat of a Friday afternoon in Cairo, a group of people – among them a movie star, a thief, a madman, a cook and a pregnant woman – find themselves trapped in an elevator for 12 hours.

Shehata Abu Kaff, goes to Cairo to play for Zamalek club. The club buys him an apartment, but the owner sells the apartment to him and to another lady.

Murad Salem is a rich man who is used to getting what he wants whenever he wants it. When he meets a beautiful woman in Alexandria, he wants her as wife number thirteen. He buys himself into the heart of the woman, until a well-meaning, former fiancée of her husband tells her just how many times he has been divorced. The new bride launches into a series of ploys that keep her away from the marriage bed.

This magnificently madcap comedy classic stars Egyptian film legends Tahiya Karioka and Emad Hamdi as Zeinab and Hussein, overworked parents who get little relief from the never ending demands of their seven mischievous children. When their eldest daughter, Ahlam, meets a dashing young man at a party, it's love at first sight and wedding plans must quickly be arranged. As preparations get underway, Zeinab and Hussein are soon overwhelmed by the elaborate and costly requests made by the groom's extravagant family. While tending to the needs of their other six children, Hussein and Zeinab must consider unconventional means to obtain the funds for a ceremony that the newlyweds will be proud of.

Haniyeh has not seen her father since childhood and therefore does not know how it looks and forced her father's friend Esmat Al-Darmali to lie to her and tell her that he is her father Esmat Al-Damanhouri instead of her real father, and therefore Haniyeh continues to treat Esmat Al-Darmali as his father.

The two friends, Shukri and Sami start a rivalry to win the heart of the beautiful nurse Samira, who is in love with Shukri. They start doing pranks to each other and events continue.

Her grandfather swore not to marry her younger sister until she got married, according to the doctor (Hassan) who was transferred to work in the countryside, and get an argument between them, escalating events.

Amshir works in a cabaret owned by his wealthy friend Medhat. Medhat is sentenced to a month in prison after he burned the mustache of a wealthy Upper Egyptian man named Al-Najawi. Amshir then goes to prison instead of him in exchange for a sum of money.

Anayat Hanim succeeded in having a clothing factory after the death of her husband, allowing her to live with her three daughters Samira, a bachelor of commerce, Kawther who cares only about physics, Laila who is not yet 14 years old and very lazy and dreams of the day he will marry so as not to go To school. Haj Awadallah owns a factory that he manages himself and supplies Hanayat Hanim with the finest fabrics, and thus a close relationship developed between them. Since he is single, he suggested to Annayat Hanim that they marry but they delayed the response and justified that she must marry the two girls first. Haj Awad asks his brother Fathallah and his friend Mamdouh to advance the brothers' sermon and send a telegram to Annayat Hanim telling her that the groom will arrive tomorrow.

Atia is an overly kind man whose wife abandons him due to his weak personality. He meets a greedy producer who plans to exploit a wealthy woman to produce a movie for him, only for Atia to discover that the wealthy woman is his wife whom he hasn't seen in years.

The Devil's Little Movie was produced in 1964 and directed by Kamal Al-Sheikh

Genies help an Arabian bandit (Tab Hunter) locate a magic arrow he needs to claim heirship to the sultan's kingdom.

After Laila's fiancé is killed, she decides to travel to her brother Samy in Aswan. She witnesses a murder from the balcony of the house and reports it to the police, as the gang seeks to kidnap Laila, the only witness.

A historical epic about the battle of Qadiseya, which was helmed by the Arabian knight Saad Ibn Abi Waqas, and which enabled Muslims from conquering Persia in 636 A.D.

Based on the novel by Latifa al-Zayyat, which explores a middle-class Egyptian girl's coming of age against the background of the growing Egyptian nationalist movement before the 1952 Egypt revolution.

A story in the Egyptian countryside about an unjust mayor who controls everything in the village with his power.

Karima, the cabaret owner who's called 'Queen of the Night', meets Dr. Mahmoud, the university professor, and falls in love with him. Mahmoud is a widower living with his daughter Hoda who is engaged, and when Mahmoud proposes to Karima, both the daughter and her fiancé are against it.

In Roman-dominated Egypt, the corrupt administration of a governor named Petronius has sparked a revolt headed by El Kabir, a young man who learns that he's actually the son of Cleopatra and Julius Caesar. When Petronius' daughter, Livia, newly-arrived from Rome, falls into his hands, El Kabir uses this opportunity to win her over to his side before releasing her to her father.

Ahmed and Mona who love each other since they were children cannot resume their relationship as their families disapprove of it and the lovers part ways. Years later, they meet again, Ahmed with his two kids, and Mona leading a solitary life. Will they ever be reunited in marriage?

This movie revolves around the story of an innocent girl (Nawal) who was married to a rich and possessive man who still wants her back after their divorce; however she meets a hair stylist (Shoukry) and falls in love with him. They get married but her first husband starts torturing Shoukry so he can leave Nawal but he refuses. Eventually, acts of revenge begins from both Nawal and her ex-husband.

In the 1960s, the lives of three college classmates, Ismail, Zainab, and Helmy, take a dark turn when the three of them are arrested and tortured as part of the repressive and violent practices that were employed by the General Intelligence Directorate back then.

Mahgoub is a villager who moves to Cairo in search of a better life. When he enlists friend Salem's help to find him a job, Salem not only gets him a job at the ministry where he works but he finds him a bride as well. But the bride is the mistress of Qasem Bek, who will be visiting her once a week.

Rebel Ibrahim Hamdy assassinates a pro-colonial Prime Minister but is arrested and hides with a fellow university student, who initially refuses but eventually accepts him. Abdul Hamid Khatib meets Samia and her cousin, and Ibrahim uses the situation to hasten Samia’s marriage, which she rejects. Nawal, the youngest daughter, becomes the liaison between Ibrahim and his colleagues, helping him escape. Abdul Hamid tries to inform the political police of Ibrahim’s location, but Samia stops him. The head of the political police suspects them and punishes them to find Ibrahim. Ibrahim refuses to leave the country, returning to fight colonialism and participating in an operation.

Grain trader Hamdi lives with his two sons Mahmoud and Hussein and his niece Wafaa. He treats Hussein differently because his mother had a disgraceful past. Hussein finds out that his mother is the dancer Fawzia Rushdie, he goes to meet her and she denies him at first.

Adel and Mona are in love, and just as they were about to get engaged, Adel has an accident. When he recovers, he finds that the only woman he loved is now married to another man.

Samia is in a relationship with the frivolous young man, Mamdouh, and slips up with him one day when she gets into his car. When she asks him to marry her, he evades her and travels abroad. Her attempt at suicide fails, but Ahmed saves her and welcomes her into his family. Later, Samia gives birth to her and Mamdouh's child.

The film tells the story of an ex-burglar who is struggling to lead a normal life with his wife and little son. His elder brother pressures him to return to burglary.

A women's union led by three women calls for a strike from work to prove their value, while the head of the prosecution seeks to persuade them to reverse their decision.

Chief Morsy is a lightkeeper staying at a faraway lighthouse. He marries So'aad and shortly returns to the lighthouse where he recounts to Nour his adventures with women. When he sends his wife a letter with Nour, Morsy grows suspicious of his wife's fidelity. Suspicions nourished by his jealousy.

Abu Zayd and a number of his colleagues are revolting against the teacher Shamrock, the owner of the agency they work for, which is under the leadership of Shushu, which violates the law. They are working in a new agency, which makes Shosho angry. The term of the old agency leader's sentence ends, and he replaces Shamrock, and he, together with his aides, begins to attack Abizaid and his colleagues.

A killer reflects on his life at seaside town in this moody Egyptian thriller/drama.

Salem, an assistant director, believes that the famous actress Nagwa loves him. So he steals a large sum of money from the studio where he works to spend on her, and confesses his love and his crime to her. He hears her tell the producer about his crime, so he runs away and travels to Alexandria to hide with his friends, who covet the money. A fight breaks out between them and Salem, in which one of them dies, and events unfold.

The story of a 40-year-old married woman who has fallen into idleness and does not know how to approach the revolutionary events in her country. She finds a new meaning in life when she falls in love with an aspiring young student. “I shot FAGR YOM GUEDID in 1964. I count it among my best films and still stand by it completely. It is about the class whose assets were nationalized after the 1952 revolution. I explored the question of whether this class still had a place in Egyptian society.”

Renegotiating the representational paradigm of nationhood the film draws a heterogeneous picture of Egyptian society as well as Soviet workers as they embarked on the momentous dam enterprise. The films presents a vision of a nation deep rooted in unity as well as diversity. The films projection of a renewed imagining of the nation inadvertently acknowledges a new and nuanced understanding of its goals, political objectives, and how these impact the personal within it. (KHOURI)

When Mafouz dies, his partner Diab seizes his share, which leaves Mahfouz's family living in poverty. Gawdat, Zahra's fiancé, sleeps with her after she surrenders in the hope that they will get married quickly, but his mother forces him to leave Zahra after their financial situation deteriorates.