Alô Alô Carnaval

A scientist swaps the mind of banker and an idiot by accident.

For Donald's birthday he receives a box with three gifts inside. The gifts, a movie projector, a pop-up book, and a pinata, each take Donald on wild adventures through Mexico and South America.

Various MGM stars from yesterday present their favorite musical moments from the studio's 50 year history.

The Companhia de Esquetches Musicados do Teatro 'Brasil' is in crisis. After the debut of a new play failed, impresario Artur Fernandes, despite protests from Nini del Mar—the company's star—decides to hire Vitorino, the only writer who understands the audience's tastes and the company's artistic capabilities, to write the next play.

In 1922, a would-be classical composer gets involved with people putting on a musical revue.

Best friends Judy and Carol compete for the affection of an older man during their high school dance. As Carol tries to rekindle Judy's relationship with Carol's bumbling brother, Oogie, Judy suspects that her father is having an affair with a beautiful dance instructor. The two girls team up to expose Judy's father -- who is only taking innocent dance lessons.

A nightclub singer and his partner escape mobsters by fleeing to Cuba with a beautiful heiress, who has inherited a haunted castle on an isolated island. The trio hunt for a hidden treasure and encounter a ghost, a zombie, and a mysterious killer...

A talent agent sells his girlfriend to a nightclub – as two separate acts. The deception and constant costume changes are too much for his girl, and the men who have fallen for the different performers.

Some of MGM's musical stars review the studio's history of musicals. From The Hollywood Revue of 1929 to Brigadoon, from the first musical talkies to Gene Kelly in Singin' in the Rain.

A theater manager about to go bankrupt decides to accept help from his daughter and her boyfriend to save the family's finances, which she does with the sponsorship of a rich man.

In Buenos Aires, Frederico hides in a ship going to Rio de Janeiro to travel for free. But Azulão, the cook, finds him and blackmails him into working in the kitchen. Meanwhile, Alberto, the captain, receives a radio message saying that there was a dangerous international spy on board. Things get worse when some passports are mixed-up.

Tristão dos Prazeres is a television consultor who is very popular amongst married women. In his show, he defends his theory that jealousy is a small feeling, a "termite" that destroys relationships. However, once he suspects his wife to be cheating on him, he gets enraged and sends his butler to investigate.

A soldier falls for a chorus girl and then experiences trouble when he is posted to the Pacific.

An entertainer in Rio impersonates a wealthy aristocrat. When the aristocrat's wife asks him to carry the impersonation further, complications ensue.

In a workshop there are six workers, the six are brothers. Enter the mother who asks them to rescue the seventh brother, the youngest, Luis. The brothers hesitate because the youngster keeps getting into trouble, but they end up giving in to the request. Gangsters are fighting in a bar and the workers end up getting into the fray.

Colonel Polidoro is the political chief of the small town of Passaroca. Near the city hall elections, he decides to help his candidate by setting up an adult literacy course. For this, he needs to find a competent teacher and decides to go to Rio de Janeiro with this function. False moralist that is, ends up falling in the revelry, meets a beautiful dancer and invites the girl to spend the carnival on his farm. Drunk, he confuses the addresses and causes his driver to take the dancer in place of the teacher to Passaroca, which will cause a lot of confusion.

Earning her living by dubbing American TV Series, a woman dreams of becoming an international Hollywood star.

Comical late 1920s Brazilian daily life's situations, portrayed by two friends who decide to serenade a common girlfriend, a drunk barber and a bad haircut, and a man who is barred from playing his songs at the hotel where he was staying.

Brazil is perhaps the best of the handful of US films made by singing sensation Tito Guizar. In typical screwball-comedy fashion, the plot is set in motion by authoress Nicky Henderson, who has hit the best-seller charts with her latest tome, Why Marry a Latin? While researching her next book in Rio De Janeiro, she finds out "why" when she meets handsome songwriter Miguel Soares. Upon learning about Nicky's book, Miguel decides to teach her a few lessons in the affairs of the heart. Edward Everett Horton is also on hand, twittering his way through the role of a well-meaning buttinsky. Thanks to the "Good Neighbor" policy of the 1940s, South American musicals were a glut on the market, but Brazil was good enough on its own merits to pay its way at the box office.

A man in charge of a publicity campaign for bananas decides to kidnap the Queen of 'Bananaland', a tropical island paradise, and take her to Rio, where she falls in love with a member of Carmen Miranda's backing ensemble, 'Bando da Lua'.

A man is looking for a radio singer named "Dulcineia." For this, he goes through the biggest hassles and problems. The plot, in fact, is an excuse for the exhibition of the musical numbers of the greatest Brazilian Radio artists.

The biography of the singer Francisco Alves. It narrates his father's opposition to his singing, his adventure in the circus, his love affairs and breakups, his discovery in a bar at dawn and, finally, his success cut short when he died in 1952 in a car accident.

A guerilla leader falls in love with a mysterious woman in World War II Lisbon.

A devoted secretary embarks on a dangerous mission to try to find the elusive woman who may prove her boss didn't murder his wife.

Only a fragment of the film survives. Taking advantage of Carnival season, Álvaro devises a Machiavellian plan to seduce a young woman. When she shows up at his house to deliver a bundle of clothes, he shows her a beautiful gigolo dress and invites her to the town's dances. They would only be for two or three hours. Liz accepts, and together they go out dressed as a gigolo, he as an Apache. Liz has fun with Álvaro, and at one point, they decide to go to the beach. Dizzy from champagne and dancing, she loses consciousness, waking up alone. Desperate, Liz runs to Álvaro's house and discovers that he has left for the north. Disoriented, she wanders the streets until she meets Maneco, an employee of Dr. Elzman. Maneco takes her to the doctor's house, and Liz tells him everything that happened. The doctor, fond of the young woman, decides to protect her.

"Proust Palimpsesto: Pastiches e Misturas" (2026) is a Brazilian film essay directed by Carlos Adriano. The film, which explores the impossibility of filming Marcel Proust's "In Search of Time That Flew", is presented as a collage of archival images and theories.

Brazilian documentary film directed by Salvyano Cavalcanti de Paiva that showcases the evolution of Brazilian artists in the American film industry between the late 1920s and 1950s. Using archive footage, it highlights the contributions of figures like Carmen Miranda.

A biography of the Portuguese-born Brazilian singer Carmen Miranda, whose most distinctive feature was her tutti-frutti hat. From her arrival in the US as the "Brazilian Bombshell" to her Broadway career and Hollywood stardom in the 1940s.

The documentary celebrates the poetic legacy of Lupicínio Rodrigues, investigating the musical contribution and historical context of this composer born in Rio Grande do Sul and author of hits that surpass generations.