Akpamyk

Robert, a 13-year-old German boy, sets out to try and find his father, who's in Turkmenistan. On his arrival there he meets up with a local boy who agrees to help him, but they are abandoned by their adult guides and must fend for themselves.

A dying woman’s wish sends her son on a train journey from the steppes of Uzbekistan to the Russian hinterland in search of his father’s grave. Just as the traveler’s home city of Samarkand is situated on the border between East and West, Khamraev balances his film on the edge of two cultures, evoking the soul of Russia and the crumbling beauty of what was once the Silk Road.

An old, sick keeper and a girl, Maral, live at the lighthouse. It is unknown how long the girl would have lived as a hermit at the lighthouse if not for the love that arose between her and the boat captain Murad, who brought the doctor to the sick old man...

The film is about a Turkmen who defends his homeland from invasion. He is captured, tortured, and brainwashed into serving his homeland's conquerors. He is so completely turned that he kills his mother when she attempts to rescue him from captivity.

The plot of the philosophical parable, the meaning of which boils down to the simple idea that "people are animals", develops in three instructive directions: the story of the shepherd waiting for death, who once did not meet his mother, who came to him from a distant village; the second story is about a young man who went to the mountains away from the worldly world, and finally, the third story is about a sheep trying to save its child from the fate that was destined for it.

An escaped prisoner, breaking the laws of hospitality, kills the dog of a boy whose grandfather gave him shelter. He placed a sharp piece of metal in a piece of meat. The police arrived and shot the dog. The boy grew into a small, pitiful, absurd, side-eyed man, who froze his genital organs while rescuing a dog, unable to have children, which his wife complains about very much. He works as a driver. While transporting a white piano from the collective farm to the club, he turns off the road so as not to run over the sheep, and the car falls into the river. A white puppy follows him everywhere and creepy and funny stories constantly happen. But he lives his dreams, writes poetry, his only friends are dogs - he gets kicked out of work, his wife leaves him. The real trouble comes - war.

In the summer of 1918, the situation in Transcaspia was especially difficult. The Menshevik government led by Funtikov seized power. Only the fortress city of Kushka remains Soviet. The garrison went over to the Bolshevik side. Large reserves of weapons and ammunition are concentrated in the fortress, which especially attracts the Mensheviks and the British who help them. The commander of the garrison, the former tsarist general Vostrosablin, decides not to surrender the fortress. To do this, he and Commissar Morgunov are developing a defense plan. White Colonel Zykov, with the support of the Basmachi and the British, hopes to take Kushka. But the tough confrontation between the parties ends with the victory of the defenders of the fortress.

The film is set in a Turkmen village in the early years of collectivization. With the arrival of the new regime, much has changed. The film's protagonist, Ataniyaz, is overcome with agonizing doubts about what to do next. Bahram Khan, who has arrived from abroad, suggests that Ataniyaz take all his wealth and leave the country. But moving flocks of sheep is no easy task: it requires loyal shepherds. Now Ataniyaz-bai pins all his hopes on the young shepherd Kerim, who is passionately in love with his daughter, Ziba.

After many years in a Soviet punishment camp Sadik returns home to his village. There he must learn that his brother, who has always been a conformist follower of the Soviet system, lives with the same conformism in post-communist Turkmenistan.

The film consists of three short stories: "The Runaway Car," "Apollo's Skeleton," and "Night Show."

About the legendary musical competition between the famous Turkmen dutar player Shukur Bakhshy and Persian court musician Ghulam Bakhshy.

The film takes place in the late 1920s, during the emergence of the first collective farms in Turkmenistan. The main character Aina works as a laborer for the kulak Esen-bay, who hates the Soviet regime and is associated with the Basmachi.

In the 1920s, in Turkmenistan, Qalli-bai makes the difficult decision to join the Basmachi, leaving behind his ailing wife in the care of their daughter, Dzhamal.

The film covers the period from 1903 to the mid-1920s. In the center of the epic narrative is the story of the difficult love of the poor Berda and the daughter of the shepherd Uzuk, who will be freed and made happy by the revolution.

Once in an orphanage, nine-year-old Oraz finds a friend in the person of teacher Dovlat. In the hungry post-war years, Dovlat does everything to prevent children from suffering. One day, having caught the cook Izyumgul stealing, he brings trouble upon himself: in order to avoid being put on trial, Izyumgul spreads slanderous rumors about the teacher. Dovlat goes to prison, and the cook becomes the director of the orphanage. Forty years pass, and Oraz is invited to Izyumgul’s anniversary...

Bai Kakabai, who fiercely hates the Soviet government, goes abroad with his family and servants. He is followed by the Nurali and Dodur brothers. The younger is in love with the owner's daughter, the elder cannot part with his beloved Akhal-Teke horse, Dik-Ayak. Having wandered through a foreign land, the brothers will find neither happiness nor prosperity there, and they will return home.

The end of the 1920s. A young oil engineer, Ovez Emudov, arrives in the Karakum Desert to search for oil. The lack of drinking water, necessary equipment, and workers in the barren steppes, as well as the open sabotage of the trust's employees led by Mukhortov, a staunch enemy of the Soviet government, are all factors that the head of the exploration site must contend with. The film is dedicated to the 50th anniversary of the Turkmen Soviet Socialist Republic.

City girl Jeren, a pupil of an orphanage, moves to the village to live with the parents of her husband Kerim. Here she starts working at the club. The head of the family, Soltan-aga, initially greets his daughter-in-law with hostility. He doesn’t like the fact that she is an orphan, he considers her a “stranger,” because he wanted to see his neighbor’s daughter as his son’s wife. And only Kerim’s mother Ogulgerek is hospitable and cordial with Jeren. Time passes. Jeren manages to turn the club into a real cultural center, and local youth help her in this. Kerim is also doing well: he is organizing the work of the collective farm garage...

Biopic about legendary Turkmen philosopher and poet, Makhtoumkuli, who was also known as Fragi.

Young investigator leads cases related to drug trafficking, while his boss, connected to the underworld, seeks his arrest.