Ahmad Shamlou: Master Poet of Liberty

A short documentary about Tehran's taxi drivers and their problem with the new taxi meters.

Short ethnographic documentray about Arba'een, a Shia Muslim religious observance

A look at the life and art of Ms. Iran Darroudi, one of the most important contemporary Iranian painters, who has divided her time between Tehran and Paris for the past fifty years. The film describes the various influences in her life and how she came to cultivate a style that merges the western surrealism with eastern mysticism

Ahmad Reza Ahmadi

A Documentary about Ali Dehbashi (Persian: علی دهباشی). He is an Iranian journalist, Iranologist, researcher and writer. Dehbashi is the writer and editor-in-chief of Bukhara magazine, a periodical magazine on arts and culture in Persian published in Tehran.

Part 3 of documentary trilogy about Persian poet Forough Farrokhzad. This part focuses on her theatre and film work.

Part 1 of the trilogy concerning Persian poet Farough Farrokhz. This film traces her personal life.

The documentary "A Poet is Killed" recounts the story of the murder of contemporary poet and writer Mohammad Mokhtari, who was killed during The chain murders in 1998 in Iran.

A documentary based on Faraj Sarkohi's interviews with Houshang Golshiri. Kaveh Golestan filmed these interviews between 1993 and 1996.

Fanizadeh documentary is about the famous actor of Iranian cinema Parviz Fanizadeh. This documentary film deals with his life and works. This documentary is based on the talks of characters from theater and cinema who worked directly with him. Among them there are Taghvai, Mehrjoui, Golestan, Kimiaiee, Nosrat Karimi, Behrouz vosoughi, Pari Saberi, etc.

Moslem Mansouris second documentary film about the legendary late Ahmad Shamlou

A review on contemporary story writing in Iran, with the presence of three famous novelists, and using the great novelist's pictures. A documentary is ordered for screen in "Yalda literature prize" ceremony

A documentary about Ghazaleh Alizadeh who was an Iranian poet and writer.

Part 2 of the trilogy concerning Persian poet Farough Farrokhz. This film examines her controversial, sometimes erotic, poetry. Contemporary Iranian poet Forough Farrokhzad became a legend in her own time for her innovative and controversial writings. In this extensive, three-part documentary, Farrokhzad's life, work, and soul are laid bare. Director Nasser Saffarian deftly combines interviews with family members and peers with footage of Farrokhzad shot by Bernardo Bertolucci. Saffarian digs deep into her personal and professional life to uncover new information about this outspoken artist. Includes The Green Cold, a revealing look at her private world, The Mirror of the Soul, an exploration of her controversial, sometimes erotic poetry, and Summit of the Wave, an overview of her theater and film work.

A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.

In Tuscany to promote his latest book, a middle-aged English writer meets a French woman who leads him to the village of Lucignano.

An 8-year-old boy must return his friend's notebook he took by mistake, lest his friend be punished by expulsion from school.

This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.

Towards the end of the Shahanshah's reign, Sergeant Makvandi is assigned the commander of the gendarmerie station in a small town. A stern disciplinarian, Sergeant Makvandi tries to impose order at the station but, being as degenerate as his subordinates, he fails to re-store discipline. faced by rebellious crowds, he imposes martial law, but people outwit him by mailing to his address a forged letter which "promotes the sergeant and ends the curfew". Makvandi tries to intimidate a school teacher into writing a song which he wants the students to sing on the day his "promotion" comes into effect. But the teacher refuses to give in, for he and his students are preparing to sing a new song, the song of revolution.

In the village of Hesar in Urmia provinces, two tribes have an old dispute with each other. They are known as Baladehi and Paeindehi. The movie tells the story of their conflicts. The Paeindehis purchase a bus after selling a salt marsh near the sea, causing Baladehis who live their lives by riding chariots (ilinka), lose their job. Disputes resume and the teacher and Pirbaba (elder) of the village try to reconcile them, but the village chief who does not want to lose his profits, makes the Baladehis buy a bus as well.... The arrival of the bus to the village reveals the fact that the village chief has planned it all to acquire more and more wealth. Learning this, the two tribes forget their dispute to punish the chief, and afterwards, they all resume their normal lives.

A rich guy's driver who wants to help a poor girl who work in a cabaret introduces her as his master's fiance. She falls in love with the master without knowing his real identity. This leads all of them to face many funny adventures.

Based on the true story of the Azari war hero, Sattar Khan, during the time of the Constitutional Revolution. The story follows Sattar and Haydar as they join another hero Baqir Khan.

Mehran meets Safar in a café, and Safar, on behalf of his boss Qobad, suggests to Mehran that they kill Master Nouri and his daughter Mojgan in their hunting ground. When Mehran reaches "Sheitan-Kooh", he falls into a deep pit and Mojgan saves him and takes him to their house and bandages his wounds.

After the death of the landlord of the village, his European wife demands the land of Baba Sobhan but his two sons who farm there are refusing. They promise to pay the rent on the right ...

An old villager deeply in love with his cow goes to the capital for a while. While he's there, the cow dies and now the villagers are afraid of his possible reaction to it when he returns.

An aging colonel retires, marries a provincial teacher, and moves to Tehran to be close to his two adult daughters. Instead of a peaceful reunion, he finds them living independent, urban lives he no longer recognizes. As the cultural and generational rift deepens, the family enters a tense, psychological spiral of alienation and emotional unrest.

A criminal group intends to murder a girl, but a young man saves her. The girl is the daughter of a wealthy man, and after his wife's death, the father married a widow. The girl's stepmother, a young woman, plotted the girl's murder to inherit her husband's wealth herself. With the young man's presence in the girl's life, the stepmother's plan becomes impossible to execute until the family's father is killed in an accident, and the woman stages the scene to make it appear that the young man committed the murder. The police, based on the evidence, pursue the young man and his friend. The girl decides to help the young man. Eventually, it turns out that the killer is the victim's brother, whom everyone thought had died. With the discovery of the truth, the young man's innocence is proven, and he begins a life together with the girl.

"Reza," who is aimless in his life and often spends his time riding motorcycles, once escapes from the clutches of the police and enters a house. The granddaughter of the homeowner, who needs to introduce her fiancé to her sick grandfather as per his request, asks Reza to pose as her fiancé. Shortly after, the real fiancé appears, but both the grandfather and the girl prefer Reza more...

This documentary shows the Zaar tradition in Bandar Lengeh in south of Iran. It is kind of local dancing and singing to exorcist the Jinn from people who believe to be possessed by evil.

A pilot, who has a wife and a son, goes on a mission, and his plane crashes due to an accident. He is injured and suffers from amnesia. A gypsy girl named Fetneh nurses him; but according to the tribe's custom and Sattar's decision, Fetneh is tortured for helping a stranger and is branded with a mark of shame. Fetneh escapes and goes to the pilot. Sattar grapples with the pilot, and Fetneh injures him with a knife. After that, the pilot, whom people call Khodadad, gets into a fight with a grocer named Hossein, who intends to assault Fetneh, and steals his money. Soon, Khodadad becomes the most wicked rebel in the region, and his son is assigned by the government to wipe out Khodadad and his men. Father and son confront each other, and Khodadad is killed. Fetneh is also shot dead by a young man who loves her.

An old man who works for a landlord brings a young worker to paint the house for him. The old landlord is alcoholic and has a young wife and together they manage a ranch. Little by little ...

The village headman's daughter and the landlord's daughter are both smitten with a young engineer. After some drama, the landlord's daughter finally puts an end to the problem. She pretends to be frivolous so that the young engineer distances himself from her and gets closer to the headman's daughter, even though she loves the engineer and suffers from losing him.

Unemotional, restrained cinematographic poem, situated in a wintry and poor suburb of Tehran. A man is dismissed and his lack of prospects for the future make him decide to seek his happiness abroad. He leaves his wife and child behind and for a long time nothing is heard of him. Then a stranger turns up, a car mechanic looking for a job. The attractive single mother can’t resist his attentions. Very subtly, a struggle ensues that reflects that of a whole generation of young doubting Iranians who may want to leave the country, but hardly know how to start.