Agathe, Solange and Me

Filmed between 1973 and 1975, L’Olivier was produced by the Vincennes Cinema Group. This activist collective of teachers and filmmakers, formed on the occasion of this film, attempts to explain the Palestinian problem through interviews. The Olivier was one of the first films to attempt to give substance to what was still largely ignored in the West: the existence of the Palestinian people and their fight to recover their rights. L'Olivier responds to a concern: the already weak support of French public opinion for the Palestinian cause diminished following the Munich operation of 1972. Structured in such a way as to tell the Palestinian story and explain the state of the struggle at the time, the film appeals to global militant solidarity and, in particular, to European political commitments.

This is the story of a lyrical singer and an Afghan refugee. With songs and introspection, hope and disappointment.

In this new "Marriage of Figaro", Jérémie Rhorer revisits this composer and US film director James Gray makes his first foray into opera. This opera is recorded for broadcast by Louise Narboni.

One summer, a French teenager who has been living with his mother in the city moves in with his estranged father’s family in the countryside, where he clashes with his stepmother.

A 17th-century nun becomes entangled in a forbidden lesbian affair with a novice. But it is Benedetta's shocking religious visions that threaten to shake the Church to its core.

The former famous painter Frenhofer lives quietly with his wife on a countryside residence in the French Provence. When the young artist Nicolas visits him with his girlfriend Marianne, Frenhofer decides to start again the work on a painting he long ago stopped: La Belle Noiseuse. And he wants Marianne as model.

Poland, 1945. Mathilde, a young French Red Cross doctor, is on a mission to help the war survivors. When a nun seeks for her help, she is brought to a convent where several pregnant sisters are hiding, unable to reconcile their faith with their pregnancy. Mathilde becomes their only hope.

Commissioner Maigret rushes to the Quai d’Orsay with Lieutenant Janvier. There, they find Mademoiselle Larrieu in a state of shock. That very morning, she discovered the bullet-riddled body of Mr. Berthier-Lagès, a renowned former ambassador whom she had served as a housekeeper for 46 years. While searching the victim's apartment, Maigret and Janvier uncover hundreds of letters. The diplomat had maintained a fifty-year-long love correspondence with a certain Princess of Vuynes, whose husband - by a strange coincidence - had died just a few days earlier. As he confronts the various members of the two families and the suspicious silence of Mademoiselle Larrieu, Maigret finds himself faced with surprise after surprise, watching his certainties crumble - until the solution to the mystery finally hits him in the face at the very last moment...

Set in 1900, Lili d’Alengy, a Parisian cocotte at the height of her fame, flees Paris to hide her “idiot” daughter. There she meets Maria Montessori, who is pioneering a teaching method that may help the child.

Imbued with Victor Hugo, the actor Robert Zucchini searches for his place between the stage and life. Every evening, he fills theaters by sharing his love of words. Until the day his daughter, whom he hasn’t seen grow up, reappears.

Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only are the names of the new arrivals Gemma and Charles Bovery, but their behavior also seems to be inspired by Flaubert's heroes.

Suzanne Simonin describes her life of suffering in letters. As a young woman she is sent to a convent against her will. Since her parents cannot afford the dowry required for a marriage befitting her rank they decide she must instead become a nun. Although a kind and understanding Mother Superior helps her to learn the convent’s daily routine, Suzanne’s desire for freedom remains unabated. When the Mother Superior dies, Suzanne finds herself faced with reprisals, humiliation and harassment at the hands of the new Abbess and the other Sisters. For many years, Suzanne is subjected to bigotry and religious fanaticism. (Berlinale.de)

In the wake of her mother's tragic death, French teenager Junie transfers to a different high school. Though Junie lives mostly inside her own head, her beauty and stoicism win her the attention of the entire male student population. Junie begins dating the gentle Otto Cleves, but finds herself intensely drawn to her youthful Italian language teacher, Nemours. When Nemours begins to reciprocate, serious complications ensue.

Two seemingly happily married French couples are forced to contend with a number of issues.

Laura is still waiting for Prince Charming at the age of 24. So when Sandro appears at a party, exactly like her Prince would in her dreams, she thinks she's found the right one. But then again, when she meets Maxime, Laura starts to wonder if some Princes could be more charming than others? Of course Sandro has problems of his own : his father, Pierre, just bumped into Madam Irma at his father's funeral and this reminded him of the date of his own death which Madame Irma had predicted ages ago. Now Pierre is unable to make any plans, not with his new partner Eleonore, nor with Sandro. And Maxime has his own problems, and so does Eleonore, Marianne, Jacqueline and many others. But don't worry, in the end, they'll all live happily ever after.

Juliane, a police commissioner in Paris, is a woman with great moral integrity. But when she discovers her husband’s double life, she starts committing acts she never would have thought herself capable of.

Barbie, once an attractive, devoted mother and partner, faces newfound challenges as she turns 55, descending into darkness, violence, and absurdity while grappling with her identity, relationships, and life's complexities.

Following the death of her two children, Isadora Duncan created the solo Mother in which a mother cradles her child in a moment of extreme tenderness, then lets it go. A century later, four women encounter this heart-rending dance.

Four intertwining stories of bizarre occurrences in Paris featuring a man who was stolen away by fairies, a professor who becomes a tramp, the lovers who inherit a chateau – and the last tale that connects all that has gone before.

Abandoned at birth in the Greek mountains on a stormy night, Jon is taken in and adopted, without having known his father or mother. As a young man, he meets Iro, a warden in the prison where he is incarcerated after a deadly tragic accident. She seems to seek out his presence, takes care of him, records music for him. Jon’s eyesight begins to fail... From then on, for every loss he suffers, he will gain something in return. Thus, in spite of going blind, he will live his life more fully than ever.

In the winter on the French Riviera, a teenage girl goes missing on her birthday. Géraldine, an employee in the mayor's office, takes on the role of detective. Versions of the truth rapidly multiply as she struggles not to be overwhelmed by all the gossip and theories.

In the kingdom of Letonia, the young prince Égon spends his nights playing the drums. During the day, he only has one thing on his mind: finding Sleeping Beauty in the kingdom of Kentz and breaking the spell over her. But his father, the king, doesn’t believe in fairy tales, and is completely opposed to Égon’s dream. It’s Maggie Jerkins, an archeologist from Unesco, who will provide Egon with the opportunity to follow his heart.

Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.

After World War II, the orderly life of a deputy secretary of state for family affairs, who had succeeded in closing brothels and increasing penalties for abortion offenses, is turned upside down when he learns on the same day that his wife is expecting a child and that his son has impregnated his secretary! This is only the beginning of a series of unexpected events that will shake up the foundations of this bourgeois family...

Live broadcast of the opera performance held on November 10, 2012 at the Opéra national de Lorraine in Nancy, performed by five world-class countertenors.

To mark his forty-year career, choreographer Angelin Preljocaj has revived ‘Le Parc’, one of his most iconic works, at the Paris Opera. Set to music by Mozart, this romantic ballet depicts the games of love and chance, starring Alice Renavand and Mathieu Ganio.

A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.

An African travels to Paris to learn about the construction of tall buildings, but is soon taken up with the oddities of French life.