Adiós a la noche

Fleeing homophobic attacks, Nino moves to a rural house amidst a forest haunted by Almamula, a monster that takes those who commit carnal sins. In a world of whispers, unspoken desires and prayers, Nino’s curiosity and impulses rise to the surface.

Nina and Fermín spend the night in the neighborhood where their father is a security guard. Between lights and shadows, they walk, play, eat. Nina observes others in silence, as though she were looking at herself in a mirror that is about to break. The night moves stealthily on, while other children watch them from their windows.

It's late morning and Franca is sleeping. Maria interrupts her, wakes her up and covers her, in an attempt to get her out of her apathy. Maria is a little drunk and excited after a long night of partying. Franca, on the other hand, is sad and going through a crisis. The two friends talk between places, about the comfort and intimacy they share, about transference, time and how life goes.

Eva is just passing through Madrid. She spends her days there alone: she doesn't know anyone and isn’t particularly interested in getting to know new people. The city is therefore an unfamiliar place where she wanders aimlessly, her curiosity somewhat dampened. But one afternoon, at the Reina Sofía Museum, a man approaches her. His name is Dante and he is an Argentine historian researching labor struggles in his country and the career of Juan Bialet Massé.

Pelu is a thirty-something who barely survives on his salary as a projectionist at a municipal film club. After losing his job, he agrees to stay on as a night watchman and ends up living secretly inside the cinema, accompanied by the films he reviews every night.

Eva, a film editor, and her assistant Rami are working on a film about blind people. A melancholy reflection on cinema and images.

Today is the day of truth. Tomás, 12, has heard adults' excuses and delaying tactics long enough, today is the day the man who killed his father is being released from prison. And Tomás is ready.

It's Santi's first night alone in Cordoba. After being forced to go out with a friend, he ends up at a party where he knows no one but Juli, whom he meets again after a few years. They end up spending the night together surrounded by music, drinks and cigarettes.

César has been a watchman in a chemical factory for more than twenty years. One afternoon he receives a letter from his sister telling him that she has sold the family land in the mountains. César decides to abandon his job and undertakes a trip to that area, with the aim of recovering the urn with Elena's ashes buried there. Walking he faces the mourning veiled for years. The territory of his childhood is no longer the same, the forest fires, the advance of private property have changed everything. But the encounters along the way open him to a world that he had refused to face after living trapped in his job.

Luca, a reserved real-estate employee, is faced with the bureaucracy that prevents a construction from moving forward, which drives him to turn to a representative who will turn him into his front man. Blinded by ambition, he doesn’t notice that this will lead to a limitless fall.

In 2017, 100 years after the Bolshevik Revolution, no official event was held in Russia. The central government decided to confine the memory of the Revolution to museums. In this climate of forgetfulness, some scenes detached from reality bring the past to the present. Two young roofers, Nikita and Karl, explore the city, search for historical remains and specific places, climb the roofs. In their wandering they find abandoned buildings and balconies. Katya, an apparently older woman, walks through one of the capital spaces of the revolutionary process: the Champ de Mars, in St. Petersburg. Katya tells about the February Revolution, which ended the Romanov dynasty. It recalls the post-revolutionary period and rescues the figure of one of the most interesting intellectuals and scientists of the time: Aleksandr Bogdanov, author of a utopian science fiction book called Red Star.

Maria lives with her mother in a village in the interior of the country. She does the housework and works as a masseur in a room in the house. The mother is in a bad way because of an injury caused by Suncho, the dog in the house, and then Maria takes care of her demands. Florence, her younger sister, is moving to the capital with her boyfriend. The early arrival of the couple in the village, to finalize details of the move, triggers movements inside the house.

Tells the story of Sebastian, who suffers the transformation of their four friends in zombies. Humanity perishes against infection radioactive base an evil plot of destruction.

A girl grows restless in a village surrounded by mountains and churches in northern Argentina. It hasn't rained for a long time and the rivers are dry. From her room, the girl fantasises about things she is not yet allowed to do. She confesses her wish to the Virgin.

After being unemployed for several months, Hernán attends a job interview to apply for a position in a call center.

On 3 November 1995, the Rio Tercero Military Factory exploded in Cordoba, prompting thousands of projectiles to fire and spread in the surrounding villages, in a tragedy that would leave seven dead and hundreds injured and affected. At the time, Natalia Garayalde was a twelve-year-old girl who lived with her family near the place, and he was still playing filming with the video camera her father had bought, when she recorded the immediate moments of the burst, while her family escaped the explosions, as well as the daily activities of the village in the days and weeks that follow. Twenty-five years later, that material captured from a girl's candid and surprised gaze it becomes a thoughtful and painful testimony about the family, the destruction of a city, the traces of horror, the sinister truth about the case.

Guillermo Franco photographs the same city every day of his life. He does so with an analog camera, stores the rolls for years, and develops them randomly. He archives the negatives and, some time later, rediscovers those images. Under a philosophy that prioritizes the emotional experience of looking, Franco builds, over time, an intimate cartography of his own gaze and, at the same time, a visual memory of his city. Pequeños ojos rescues his artistic process and reveals the essence of who is, perhaps, the greatest exponent of everyday life photography in Córdoba in Argentina.

Miren Felder died on top of a snowy mountain after a plane crash in 1977. The director discovers secret messages from her grandmother in photographs taken by her military grandfather and offers herself as a medium in a ritual to communicate with her.

A journey through the memory of the Suquía, a gloomy river, full of desperation and resentment from its people. Like the Nile, the Seine and the Ganges, this river has much to whisper about the city that it has seen grow upon its banks.

A poor boy decides to stop being a poor boy and, together with his friend, tries to run away taking a bag full of money from his boss. The last night in his hometown is a review by way of farewell to the two friends for the places, the emotion and the songs that marked their lives.

Edible and medicinal properties of wild flora of Cordoba