Adaa

Childhood sweethearts Vijay and Rajni are separated when Rajni moves to Calcutta with her grandmother.

Born in a low-caste family of chamars (cobblers), Chandu alias Chandrashekhar (Dev Anand) helps his father repair shoes and other footware for a small pittance. One day a girl from a rich and wealthy family, Vidya (Suraiya) stops by to get her shoe repaired. She wants Chandu to stop doing this menial job, and go to school, study and become someone important. She offers help financially, and gets Chandu to school. Both grow up and are attracted to each other. Both intent to marry, but obstacles open up in the form of Harry alias Harilal (Madan Puri), and Vidya's alcoholic dad, who will not permit his daughter to mingle with a boy from a lower caste.

A young man believes that an old, supposedly haunted ruin holds clues to both his father’s disappearance and a twelve year old murder mystery.

Chand, a poet and lyricist who leaves home due to differences with his father, finds great success as an artist in the city. He falls in love with Mala, a first-class dancer. But the scheming theatre owner plans to separate them.

Two movie actors are confronted by startling and hilarious obstacles.

Raju (Raj Kapoor) and Gaura (Nargis) are childhood lovers and promise to be with each other no matter what. Jeevan (Iftekhar) keeps bullying Gaura and is jealous of Raju. He overhears them professing their love for each other and conspires to separate them.

Biology professor and her students, including a convent nun go on a field trip, and stay at a Public Rooming House of a male group, led by retired colonel. But fate has other plans for them.

The film depicts Omar Khayyam's life, including his rejection of dancer Mahru, which prompts her and rival Ghiyas Beg to persecute him. Despite exile and suffering, Khayyam persists in his humanitarian and scientific work. The plot concludes with his unjust conviction and death sentence for treason, followed by eventual vindication.

1953 bollywood film

The intense events of a single, fateful four-day period forever change the destiny of two lovers, proving that a lifetime of happiness or sorrow can be decided in just a few, fleeting moments.

Mr. Rai is a wealthy businessman in Jammu, India, and lives in a palatial house with his wife, Shobha, a wheelchair-bound daughter, Ashu, a grown son, Rakesh, and a school-going son, Raju. His son despises him and is waiting him for to die, so that he can inherit all the wealth and spend it on dancing girls, alcohol, and gamblers. One day while Rai was returning from the Jammu & Kashmir Bank with a suitcase full of cash, he is attacked by bandits, but is rescued by a young man named Anand. Anand is injured in this attack and is nursed by Shobha and the rest of the Rai family. Rai himself trusts Anand and initially appoints him as a Chief Supervisor, very much to the chagrin of Rakesh, who attempts, in vain, to implicate Anand in the theft of 2 Lakh Rupees. Anand uses fisticuffs to convince a hoodlum named Girdhari to let go of Rai's property.

A cashier faces false allegations for killing an actress, so he needs to prove his innocence.

An early Indian film that explored social issues or class differences within its narrative, it highlight a commentary on contemporary societal norms, inequalities, or interactions.

A sweeping tale of an idealistic, struggling writer whose passion for his craft and his love for a devoted woman must withstand the harsh tests of poverty, betrayal, and society's indifference to prove that character is the true Anmol Ratan.

1956 pakistani film

When a Police inspector is killed by a band of thugs, his grieving father Samsher Singh seeks justice. Pratap Singh has left behind a pregnant widow, who dies in chidbirth, leaving Samsher to bring up the child Kunal. The transformation of Samsher Singh (a locomotive engine driver) into Sobhraj, multi millionaire and owner of a vast network of business. Kunal is brought up by Abu Baba, a servant of Sobhraj to be honest, upright, and very independent minded. Durga, the daughter of a former employee of Sobhraj, who is serving time and Kunal fall in love. This not acceptable to his grandfather, though Abu Baba approves of the relationship. Disaster strikes when an attempt is made to separate the lovers. The life of Samsher Singh alias Sobhraj begins to unravel from here. How Kunal's ethical upbringing by his foster-father, and his financial and business circumstances of his grandfather meet in a titanic conscience clash and how he resolves matters is at the nexus of the plot.

Kalpana, a compulsive liar, believes that lying is justified for a good cause. However, trouble comes knocking on her door when she arranges dates for her siblings by lying.

Sandhya (Tanuja) suffers from recurring nightmares in which she is stalked by a hideous, deformed witch. Eventually she begins to see the witch even when awake, tormenting her even further. At a party, Sandhya mistakes a beggar for the deformed creature of her dreams. She stabs the woman and is forced into an asylum for the criminally insane where she meets with a tragic death. Mourning their loss, Sandhya’s uncle (Tarun Bose), fiancé (Sanjeev Kumar) and best friend (Bela Bose) begin to see her ghost roaming about. Is it their imagination? Or has Sandhya returned to haunt them?

Shekhar is a poor orphan who along with his trusted lieutenant Birju runs a garage. Shekhar dislikes women, has lost his faith in God and enjoys to spend time with his friends Bill and Harry. One night, When Birju introduces him to Kanchan, a runaway, he refuses to have to do anything with her, but when he finds out that her uncle, Shivraj, has offered a reward for her return, he decides to befriend her and both fall in love. The two get married and are blessed with a son. Their harmonious life enters trouble when Shekhar is given a suitcase by his friend, Bill, who eventually ends up dead. Shekhar finds stolen diamonds inside the suitcase and decides to keep them, much to Kanchan's displeasure. After being betrayed by one of his own in pursuit of the diamonds, Shekar finds out that two gangs, headed by Munne Khan and George Shekhar have abducted Kanchan and his son. How far will Shekhar go to set things right and rescue his family?

A 1945 Bollywood film starring Motilal and Nargis

The arrival of a single proclamation throws a peaceful community into chaos, as one courageous voice is forced to take a stand against injustice, drawing the wrath of powerful, hidden forces.

The story of a woman who confessed her greatness after the great struggle and sacrifices proved to be an ideal mother and wife.

An orphaned boy from a fishing village, adopted and educated by a wealthy family, must choose between his sophisticated wife and a new love in his rural birthplace as he dedicates his life to uplifting his long-lost community.

1957 bollywood film

Born into the opulence of a Lucknow palace, a young man’s silver-spoon childhood is shattered when his mother succumbs to a sudden cardiac illness. Driven by grief and a newfound purpose, he dedicates his life to medicine, becoming a heart specialist to save others from the tragedy that defined his youth.

A man's birth is foretold by an astrologer: he will follow a prostitute, wield a knife, and face the gallows. These prophecies come true in unexpected ways, as he finds salvation through a sacrificing prostitute, becomes a surgeon, and battles personal demons, all while grappling with destiny.

Surajmukhi is a 1950 Bollywood film directed by O.P. Dutta, starring Rehana, Shyam, and Gope. Produced by L. Prashad under the Madhuban banner, the film also featured Yashodra Katju and Durga Khote in key roles. The music for the film was composed by Husanlal Bhagatram.

A lighthearted comedy film directed by P. L. Santoshi. It's described as a "flippant and clownish farce" that focuses on humorous situations, particularly involving a "boy and girl" dynamic.

1947 bollywood film.

Shin Shinaki dreams of killing Taishi, the man who killed her parents. When the villain dies, she transfers her vengeful energies on to the man’s son.

A 1952 Hindi movie starring Nasir Khan and Nutan, directed by Kishore Sharma.

Roshan is a pickpocket whose life changes after a man he steals money from commits suicide. Driven by guilt, he sets out to repay the money to the deceased man's family.

After having their goods confiscated by the police a couple of smugglers come up with a plan to recuperate their losses

A Nawab belonging to the Chandni Chowk area of Delhi gets tricked into marrying his daughter to the gardener's son.

Kabhi Andhera Kabhi Ujala is a 1958 Hindi film starring Kishore Kumar and Nutan.