Aché

Three stories, loosely inspired on short stories from classic Boccaccio’s Decameron, are connected by a creatively-bankrupt writer who offers money in exchange for original subjects.

Amor Crónico follows Grammy-nominated, Cuban-born CuCu Diamantes as she embarks on a whirlwind tour of her home country. Interweaving glamorous live performances with a fictional romance, the film pays tribute to the history of cinema in surreal fashion. Backed by a high energy Latin soundtrack, Cucu's journey is a visual love poem to the sites, sounds, and people of Cuba.

Cuba, 1961. A young teacher arrives with the intention of teaching a peasant family to read and write…

In a tenement in a poor Havana neighborhood, four men are playing a game of dominoes: Rodríguez and Nicanor versus Sangremono and Pepe “the Victim.” Once the game has begun, Rodríguez suddenly mentions that he has heard some astonishing news that concerns the future of the country and every one of its inhabitants…

A world record, an accident, a heroic act, a matter of scientific interest. All this happens simultaneously. The editorial board of the newspaper La Avanzada must decide what goes on the front page.

Ana is a telenovela actress but because of financial troubles resorts to producing a prostitution documentary under false pretences.

Nicanor, his wife, and his in-laws watch Cuban television. In a single twenty-minute shot, the differences surface between Nicanor, who supports the Revolution, and his father-in-law Damián Rodríguez, a former Batista supporter. The two women try in vain to mediate, and the conflict seems irreconcilable. However, they have no choice but to make up with each other every night.

Nicanor has just finished the ritual of preparing himself a gourmet coffee when two strangers knock at his door. They identify themselves as members of State Security, who have come to install microphones in his house to listen to the antigovernment remarks Nicanor makes. Since they only have two microphones, they ask for his help in choosing the best room to install them and tell him that from now on he can only make his comments in that room.

At the elementary school where Evita, Nicanor’s daughter, studies, the parents are instructed that the children must bring photos of various independence heroes for an important activity the next day. That night, when he discovers that they do not have any photos of heroes at home, Nicanor will have to go out and look for them, no matter what it takes.

Cuba has changed in the near future, but Nicanor and his friends still meet in a park to talk about politics…

Nicanor has been arrested for doing graffiti at three in the morning. Against all logic, the graffiti is in favor of the government. The police captain who interrogates him—a cultured policeman, for a change—tries to understand why he does it.

Ernesto Guevara, known as 'Che', leads a group of Cuban exiles under Fidel Castro in a revolution to overthrow Fulgencio Batista, the dictator of Cuba.

Cuba, early 21st century. Mandi is a young art graduate who returns to his small coastal town to complete his community service. There, he must confront a local reality that clashes with his aspirations and ideals, placing him at a crossroads between avoiding confrontation within an oppressive political context and pursuing personal and artistic freedom.

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

Roberto Hurtado suffers from a rare disease that requires massive transfusions of blood from children or adolescents. His son blackmails three employees to get blood for him and they resort to unscrupulous methods to obtain it.

The story of Iluminada, a woman who, having studied to be a literature teacher, ends up working as an usher in an iconic cinema in Havana.

Based on the life of Benny Moré, the film concentrates on a period in the early 1950s when Moré leaves the orchestra of Duany and starts his own 'Banda Gigante'. In flashback we learn of his success in Mexico. Moré is caught in the events connected to Batista's coup in Cuba. Also, he tours Venezuela, where he suffers the machinations of a vengeful businessman. After collapsing and being hospitalised, Moré swears off alcohol. Some years later, he encounters his old band-mate Monchy, fallen on hard times.

A lesbian, an aspiring actor, an aspiring singer, a low-class marriage, a neighborhood community and 2 renowned directors have memorable less-than-24-hour-long experiences while living in/visiting the capital of Cuba.

A blind woman living alone in the country tells tales to a criminal holding her captive to keep him calm.

Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.

When evil M steals the water from Buenaventura and kidnaps Sara, Samuel and his friends board the powerful Knowledge Engine to set out on a dangerous adventure of epic proportions that will lead them to a distant and deadly world called Antares.