Absent

Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.

A sexy Spanish siren named Elvira schools a young man in tantric lovemaking.

Gastón (Carlos Echeverría) arrives in Necochea. There he meets Julia (Leticia Bredice), a young veterinarian who, after discovering that the foot-and-mouth disease vaccines are adulterated, is found hanged in a shed. He will be blamed for the crime and will try to understand what happened, while avoiding being lynched.

The principal and teachers at an elementary school receive devastating news: the mother of Bianca, a 9-year-old student, has suffered a serious accident while on her way to pick her up. Faced with the difficulty of locating other family members, they decide to create together a support and protection space for the girl.

Fernando and Ana meet again after a few years and relive their love story from two different angles. It is a story (or maybe two) that dives into the universe of the body, the memory of the body, the marks of love, desire, and memories. It is a story in which the "real world" is challenged by the emergence of desire.

Buenos Aires at the outskirts of XIX century. A society rigid in patriarchal rules. A war between brothers of Argentina, Brazil, Uruguay and Paraguay. Two young and very much in love youngsters, fight for their right to be together. Obeyance and fear sets them apart along more than ten years. When they are finally reunited, will they be able to overcome the pain and tragedy that haunts them?

What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex ...

María is eighteen years old, she lives with her mother in an old house in Buenos Aires in 1978, subletting rooms and giving classes to poor illiterate adults. Suddenly she is abducted by a military squad and finds herself accused of subversion and submitted to torture in the hideous underground of the Garage Olimpo, while her mother desperately tries to find her.

A pulsating, thrill ride that weaves six scintillating experiences of men in various forms of male bonding, Sexual Tension: Volatile will leave you wanting more! A young man feels the adrenaline rush of his sexy tattooist’s needle in ‘Ari’ while in ‘The Cousin,’ a cute boy has a taboo attraction for a family member. Two ‘straight’ buddies literally show, each other, how to make love to a woman in ‘The Other One,’ while a man with ‘Broken Arms’ receives a sensual sponge bath from a male nurse. ‘Love’ is questionable when a broken shower brings a married man and an innkeeper together and in ‘Workout’ two muscular men begin to explore each other chiseled bodies. Voyeuristic pleasures await you as the camera penetrates and caresses the men’s bodies while exploring the mysterious and electrifying nature of male intimacy.

She Wolf is a serial killer who traps her men in the subway in Buenos Aires. She seduces, has sex with them and kills them. But one of those men is a police officer who is investigating her crimes. Running away from him she meets a dealer with whom she stars a relationship. This romance unravels a war between her three personalities: the monster woman, the sensual woman and the human woman who can still love.

The story focuses on Felipe Mentor, an ambitious and successful entrepreneur forties. Her company, called Mentor, is ascendant, to signing an agreement with a prestigious firm. Personally, Philip is married to a beautiful and charming woman named Luz, who seems to be the perfect woman. She runs her innermost desires and shown to Felipe madly in love and happy. This is because light works for a firm called Hit Life, a company that makes the dreams and aspirations of people from becoming reality.

Manuel meets Julio in a chat room and sexual sparks ignite when they meet in person. As their relationship develops, secrets from their pasts cause problems with intimacy and trust.

Two friends walk together through the city and through their moods, ignoring everything that happens around them; the universe closes for each one in her lament, in her monologue of love. In this recurrence the reason for the pain is emptied and only the trace, the desolation, remains.

A policeman lifts a boy who was smoking marijuana in the street and in the patrol car they go through the streets of Buenos Aires.

After meeting in a chat room, Fede arrives at a down- town building to have an intimate encounter with a gay couple older than him. As the night unfolds, Fede has an intense and telling experience. The next morning finds him different, as if suddenly he had found a new possible way to love.

The film does not describe, rather it observes, in a distant manner, the world of Martin, a seventeen year old who feels he doesn’t belong anywhere, not at home, school, nor with his friends or members of his rock band. In search of some happiness, Martin takes off to the coastal town of Mar de Plata, where his older brother lives. Unglamorous, yet enchantingly addictive and refreshingly genuine, Acuña paints a confused and uncomfortable world, and makes us want revisit it over and over again.

It tells of the troubled and difficult relationship between Beatriz, a single mother, and her 11-year-old son Mario. The action takes place in a post-industrial neighborhood of San Martín, where Beatriz tries to earn a living as an embroiderer. When he brings shrouds to his house to embroider, the story gains tension and suspense since, according to Mario, the house is full of the dead.

Overflow Psychiatric hospital. Lighting in a stormy night's sky. With almost 12 years without seeing each other, Marcos Ferro (36) and Ivan Manusovich (37) meet the morning after having heard the news about Martin Tayal's death, Who was once a member of Journalism and writing workshop in the hospital. They were both part of the workshop's creation and of a very recognized and conflict magazine which one generated therapeutic, institutional and social effects that proved to be too much for it. The words heard through the phone the day before make them need to find out what happened to Martin and his body. While discussing about this very same subject a word makes them remember about the beginnings of the workshop.

A writer dying of AIDS searches for a cure and human interaction in the hospitals and sex clubs of Buenos Aires.

This is a story of unfulfilled love set in the port of Mar del Plata during the Falklands War. Despite the harsh climate, a fisherman sets out to sea to escape his emotions and gets lost, arriving at an area called La Campana, a mythical place where time stands still. While for him only an afternoon passes, on earth more than twenty years pass. Upon returning to the port, he discovers that the country is no longer the same and the people have changed.

The object of affection is a boy who never speaks (something that can work wonders in a film of this length), but whose crotch outline seems to be everywhere the lustful visitor (Javier De Pietro, previously seen in Berger’s Absent and Hawaii) casts his eyes.

After the funeral of his daughter Ema, Frank Osorio travels for the first time to Buenos Aires to tell his granddaughter Alina about her mother's death. But Frank has to big secrets: the first one is about the identity of Alina's father and the second one is related to a crime.

Mara moved to an old building trying to escape the memory of her mother's recent suicide. While trying to adjust to the new department, begins to see strange things: a ghostly presence seems to hover over the department. After a failed launch party interrupted by cranky downstairs neighbor, Mara knows the grim charge.