Abbott and Costello Christmas Show

The Wolf Man tries to warn a dimwitted porter that Dracula wants his brain for Frankenstein monster's body.

A small town band makes it big, but loses track of their roots, as they get caught up into the big-time machinations of the music biz. Now, they must thwart a plot to destroy their home town. Built around the music of The Beatles, this musical uses some big name groups like Peter Frampton and Aerosmith.

A girl is engaged to the local richman, but meanwhile she has dreams about the legendary pirate Macoco. A traveling singer falls in love with her and to impress her he poses as the pirate.

Bud and Lou, two stranded American archaeologists, run afoul of an Egyptian cult with big plans to resurrect the mummified corpse of Klaris, guardian of his Princess Ara's treasure-filled tomb. When Lou accidentally eats the cursed medallion needed to find the ancient treasure, the two become targets of the cult's leader, his goons, a mysterious femme fatale, and the mummy of Klaris himself!

Lost Caverns Resort Hotel bellhop Freddie Phillips gives an empty threat to one attorney Amos Strickland, and is shortly fired. When Freddie visits his guest's suite to apologize, he finds Strickland dead of a gunshot wound. As the investigators file in, Freddie becomes the scapegoat of the guests in the hotel, who all had a bone to pick with Strickland. It's now up to Freddie and Detective Casey Edwards to find out who the real killer is, all the while avoiding the many vigorous and violent villains staying at the resort.

Petty con artists Slicker Smith and Herbie Brown mistakenly join the Army evading the cops. The cop chasing them winds up as their drill instructor. A rich young man and his former working class chauffeur are not only in the same unit, they're vying for a pretty girl who seems attracted to both.

Stars celebrate Bob Hope's 50 years with NBC.

As novice detectives, Bud and Lou come face to face with the Invisible Man.

Molly, her brother, Slats, and his pal, Oliver, are taxi dancers at the Miramar Ballroom. As a publicity stunt, Slats plants an article about Molly claiming her ambition is to earn enough money to attend staid, all-girl Bixby College. Bixby's progressive dean offers Molly a scholarship. Molly accepts on the condition that Slats and Oliver come along too as campus caretakers. But the pompous Chairman threatens to foreclose on the school's mortgage if Molly isn't expelled. Together, the trio, with the help of some new friends, concocts a scheme to raise enough money to save the school. The plan involves a bet on the Bixby basketball team, which is playing in a game rated at 20 to 1 by the local bookie. But the bookie has other plans for their dough and hires a group of ringers to step in for the opponents. All is not lost, at least while Oliver has the chance to turn things around for his friends-one way or another.

Various MGM stars from yesterday present their favorite musical moments from the studio's 50 year history.

Tommy Fawkes wants to be a successful comedian. After his Las Vegas debut is a failure, he returns to Blackpool where his father—also a comedian—started, and where he spent the summers of his childhood.

Two bumbling service station attendants are left as the sole beneficiaries in a gangster's will. Their trip to claim their fortune is sidetracked when they are stranded in a haunted house along with several other strangers.

Clips from assorted television programs, B-movies, commercials, music performances, newsreels, bloopers, satirical short films and promotional and government films of the 1950s and 1960s are intercut together to tell a single story of various creatures and societal ills attacking American cities.

Two down-on-their-luck loafers take a job babysitting, with a bedtime story of the titular tale turning into a wacky Abbott and Costello-faced musical retelling involving stolen cows, terrible giants, and the heroic boy with an opportunistic butcher in a castle above the clouds.

Two blue-collar buddies search the underworld for a winning lottery ticket lost in a nightclub holdup.

Dive into 60 minutes of blood, bravado and brilliant scares as we trace the evolution of horror cinema from Dracula (1931) to today.

Broadway: The Golden Age is the most important, ambitious and comprehensive film ever made about America's most celebrated indigenous art form. Award-winning filmmaker Rick McKay filmed over 100 of the greatest stars ever to work on Broadway or in Hollywood. He soon learned that great films can be restored, fine literature can be kept in print - but historic Broadway performances of the past are the most endangered. They leave only memories that, while more vivid, are more difficult to preserve. In their own words — and not a moment too soon — Broadway: The Golden Age tells the stories of our theatrical legends, how they came to New York, and how they created this legendary century in American theatre. This is the largest cast of legends ever in one film.

Gene Kelly and Fred Astaire present more golden moments from the MGM film library, this time including comedy and drama as well as classic musical numbers.

A star-studded tribute (from the creators of That's Entertainment) to the contributions of Afro-Americans in film over the last century. Vanessa Williams traces the struggles and triumphs of the superstars of music and film. Among the many artists featured are: Whitney Houston, Ella Fitzgerald, Sammy Davis Jr., Diana Ross, Michael Jackson, Cab Calloway, Bill "Bojangles" Robinson, Ella Fitzgerald, and Little Richard, Also included are today's contemporary superstars: Snoop Dogg, Ice T, Quincy Jones, Spike Lee, Russell Simmons, and many, more! 80 minutes plus DVD bonus features.

Period music, film clips and newsreel footage combined into a visual exploration of the American entertainment industry during the Great Depression.

Max Washington has just been released from prison after serving time for burglary. He returns to his old hangout, a hoofer club. His old girl friend, Amy, who still works at the club as a Tap instructor, is less than thrilled to see him. Her father, Little Mo, is happy to see him, because he has plans for a show involving Max. In addition, Max's old partners in crime have another job for him.

In the early 1960s, a quintet of hopeful, young African-American men form an amateur vocal group called The Five Heartbeats. After an initially rocky start, the group improves, turns pro, and rises to become a top flight music sensation. Along the way, however, the guys learn many hard lessons about the reality of the music industry.

A successful African American businessman has a quarrel with a white policeman, suspecting that he is having an affair with his wife. The policeman's colleagues are seeking to avoid publicity.

Commemorating the centennial of Mercer's birth, this documentary is part biography, part archive, and part recontextualization, taking Mercer's tunes and putting them in the hands of modern singers like Jamie Cullum and Dr. John to show they are still relevant today. Host Clint Eastwood also interviews artists who collaborated with Mercer or performed his songs, including composer John Williams, Blake Edwards, Andre Previn, Tony Bennett, and Julie Andrews.

Two elderly criminals spend their final night in Los Angeles, California at the Golden Eagle Hotel prior to their departure to Las Vegas, Nevada, to lead a life without crime. Unfortunately, on the hottest night of the summer, these two ex-criminals seemingly get caught in the malice of prostitutes, pimps, drunken bums, fighting monkeys, and young runaways.

Louis Gossett Jr. takes viewers through a special documentary celebration of the groundbreaking achievements of African-American performers and their contributions to Hollywood filmmaking. Spectacular film clips, rare behind-the-scenes footage, archival photographs and fascinating interviews chronicle nearly a century of tribulation and triumph. Gazing at the outstanding range of African-American stars on today's movie screens, it is hard to imagine a time when there were no black leading men or women, a time when all of the roles available for people of color were considerably less heroic than they are now. Social progress came in small steps on the silver screen, film by film, for equal visibility and dignity on the silver screen; now it is possible to honor their struggles, their talent and their sacrifices.

A documentary film about dancing on the screen, from its origins after the invention of the movie camera, over the movie musical from the late 20s, 30s, 40s, 50s, and 60s, up to the break dance and music videos from the 80s.

As Hollywood biographies go, Judy Garland's story is one of the saddest success stories you'll ever hear. The sanitized studio version of her life presented a smiling kid with the big voice, who, alongside Mickey Rooney, just wanted to put on a show. But drugs, overwork, even psychological abuse at the hands of the studio is now part of the Garland legend. But despite the number of Garland books and documentaries, one account has always been missing -- Garland herself never managed to write a memoir. She did make several attempts at an autobiography, often recording stories on a tape recorder. Judy Garland: By Myself (2004), finally fills in the blanks - using Judy's personal recordings to tell the story in her own words.

The outrageous story of 1970s porn icon Jack Wrangler, and how he rose to the top of the gay, and then straight, adult film industry.

Trouble ensues when a new theatre-restaurant owner discovers the backer to be a harmless and moneyless lunatic.

This documentary explores the life of jazz singer Anita O'Day. As a child, Anita had a tonsillectomy, during which her uvula was accidentally removed. The surgery prevents her from singing vibrato and holding long notes, but lends to her much-revered percussive style. Anita overcomes her vocal hurdle, as well as many others -- including poverty, heroin addiction and jail time for a drug arrest -- to become one of the most prolific and respected jazz vocalists of the 20th century. Initial release: 30 April 2007