A la pálida luz de la luna

A boy lives with the last man his mother loved before she died, but a well-matched couple wants to stay with him and adopt him as their son due to their problems conceiving. Although the situation for the orphan is not the best after his mother died, little by little he will find happiness and overcome it in a water park. There he will become a great inseparable friend of the dolphins.

Manoli and Fernando, a couple of communist ideas, want to live their love freely, fleeing from any bourgeois convention. At first, the couple rejects the help of her parents, but soon they will begin to give in and accept all kinds of comforts.

This biopic tells how the pop-rock group Hombres G was formed amidst rivalries, pranks and love affairs, with the musicians themselves as the protagonists.

Verónica (Maru Valdivielso) is a young executive who works in a dairy company. One day before going on holiday to the carnivals of Rio Janeiro, the company is blackmailed by a batch of poisoned yogurts. The president of the company gives a heart attack and Veronica goes to visit him to the hospital. There he meets a young man (Pablo Carbonell) who runs away from someone who wants to kill him. Suddenly, the young woman is involved in a series of entanglements, blackmail and persecutions, caused by men who cross their path, all obsessed with crazy love for a puzzling woman fatal.

A henpecked housewife ekes out a meager existence, surrounded by a host of colorful characters: her ungrateful husband, her delinquent sons, her headstrong mother-in-law, and her sex worker neighbor, among others.

Adolfo, a thirty something security guard, is going through a bad patch. Not only his lifetime girlfriend has just to finished with him to be a guy with no ambition but, moreover, he becomes the target of a series of thugs led by Vázquez, a dangerous criminal who has just escaped from jail. Also he discovers that his father has a double identity. He is not a farmer engaged in the production of cold meat – as Adolfo has believed all his life, but Anacleto, a secret agent who is a bit down and the man who locked Vázquez up in jail thirty years ago. Adolfo will have to leave his comfort zone and work with his father, the person that Adolfo get on worse with in the world to survive the revenge of Vazquez and while, between shootouts and chases, trying to get his girlfriend back.

Erika and George are two crooks hired by a rich lady to get rid of her philandering husband.

Seville, November 1, 1990. Tenorio goes out of his grave, as every year. Similarly, Juan Marquina, a great actor, makes the general rehearsal of a musical version of the play. Since that moment, two worlds come together in a circle of adventures, facing both Don Juans, helped by four beautiful women with decisive influence on their destinies.

A useless kidnapper tries to kdnap a rich industrialist.

Andres de Granada, a forty-benefit trade more clear, believed that the first months of 1993 are the best time to do business. It also has the help of his nephew Fulgencio, who has arrived in Madrid with the idea of ​​learning the trade.

Cayetana, her boyfriend Paco and Venancio, her foster brother, commit small thefts and, from time to time, spend a few days in jail. Until they meet with Federico, a thief who has traveled abroad and convince them that using European methods success is guaranteed. Paco then decides to act scientifically and seizes a hospital surgical equipment. When they want to realize, poor Venancio is forced to give an injection to a dentistry patient and, even worse, Paco has to pull out a tooth. And all that, before entering the operating room

As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. The main theme of the film is the contrast between the poets, surviving close to misery under the Franco's regime, and the winners of the war, the emerging class of the people that makes easy money with illegal business.

A peculiar family, which owns a nougat factory, decides to set out on a trip to Madrid in order to advertise its products in a Food Fair. Besides the disapproval from the family head and company founder, events are not as expected.

Julian Ruiz, a real estate salesman and amateur filmmaker, wrote in the company of Anne, his romantic wife, a script that could mean his professional film debut. Mayte, Secretary of sales of real estate, is in love with Julian and, in turn, Jorge Padilla, the head of both, who is married to Josephine, a consumer who buys everything even without knowing it serves, is attracted by Mayte.

Spain, 1982. In a small Spanish town produces special shock announcement of the next election. And above all, the political forces in center and right are moved to the claim that the Socialists will win by a landslide. Then begins the hunt for possible partnerships. Each of the delegates of the center parties want to win the favor of the delegate of the PSOE in the area.

Rodrigo Díaz de Vivar, “Mio Cid”, is in love with Jimena, but the Count of Oviedo, his father, challenges him to a duel and is killed. He before him curses Rodrigo, that if he marries Jimena, he will lose his manly faculties. And, in fact, when he gets married, Rodrigo becomes effeminate.

Madrid, Spain, 2010. While the whole city follows the national team's successful participation in the World Cup, a group of daring thieves look for a way into one of the most secure and guarded places on the planet.

Spain, 2003. An accidental discovery leads Clarence to travel from the snowy mountains of Huesca to Equatorial Guinea, to visit the land where her father Jacobo and her uncle Kilian spent most of their youth, the island of Fernando Poo.

Portrait of Alfredo Landa, Spanish cinema's most popular actor. From landismo to his greatest roles, featuring public affection, prestigious awards, unreleased material, and intimate testimonies about the person behind the performer

In 1987 Madrid, the unexpected encounter between a seasoned journalist and a young student leads to a profound exploration of love, desire, politics, power, and discovery of each other.

Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.

It’s 1948 and the Cold War has arrived in Chile. In the Congress, prominent Communist Senator and popular poet Pablo Neruda accuses the government of betraying the Party and is stripped of his parliamentary immunity by President González Videla. The Chief of Investigative Police instructs inspector Óscar Peluchonneau to arrest the poet. Neruda tries to escape from the country with his wife, the painter Delia del Carril, but they are forced to go underground.

Two single men in their late forties spend regular weekends in a semi-derelict house on the Paraná river delta near Buenos Aires. However, when a girl asks for shelter from a storm, both men are forced to re-evaluate their lives and their friendship.

A memory of Marilyn Monroe (1926-1962), woman, actress, goddess, myth, in the words of the Spanish director and scriptwriter José Luis Garci, who returns to his childhood and recovers a lost paradise.

A chronicle of the life of Jaro, the leader of a juvenile delinquent gang, depicting his rise from street urchin to outlaw anti-hero on the way to his inevitable end.

The father of a terminally ill girl is determined to grant his daughter's last wish, a ridiculously expensive collectors' costume from a Japanese TV series. The request will drive him into a journey within his city's dark underbelly.

Marc and Rebeca, a young couple, travel to an old country house that used to belong to their family. Once there, they write the shared history of their roots, creating a huge family tree that harbours relationships of love, heartbreak, sex, madness, jealousy and infidelity, and under which also lies a history laden with secrets.

After participating in a séance, young Laura begins to behave strangely. Alarmed, her parents ask Father Olmedo, one of the few exorcists authorized by the Vatican to intervene in cases of demonic possession, for help.

A dauntless film director, an enfant terrible in his early days, confrontational with censorship, always pushing the boundaries of freedom of expression, chronicler of the darkest corners of the transition, De la Iglesia will fall into the clutches of drug addiction, being forgotten and sometimes repudiated for more than a decade before eventually shaking off the ostracism to make films once again, that habit he could never kick.

A tale of cheats and impostors, taking its inspiration from true facts and from one of the most intriguing characters of recent decades: the spy Francisco Paesa.

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores's life unbearable and inevitably tragic.

Manu travels to Murcia to spend the summer with their grandparents because their parents are getting divorced. Surrounded by gardens, sea, nature, and lush, warm family, Manu find his first love and the first signs of adulthood.

A married couple are temped by passions around them.

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.

Avila, early twentieth century. Pedro, a boy of nine years, accompanied by his tutor, comes to live in the house of Don Mateo, a teacher that from that moment will be responsible for his education. Pedro begins an almost familiar relationship with Doña Gregoria and Martina, wife and daughter of his master. The appearance of Alfredo, and roommate and colleague of studies, complete the circle of his emotional environment. Provincial life, relationships with peers and the special relationship between life and death instilled by Don Mateo, definitely will influence his future life.

In every attempt at subversion, there are two moments: the one just before, when everyone doubts and no one knows how to hide fear, and the one just after, when all that remains is to run and find a safe place, maybe in memory.

A group of nuns find an abandoned baby girl at the doorstep of their convent.

Fernando Fernán Gómez (1921-2007), actor, writer, playwright and film director, was for decades one of the most important figures in Spanish culture. His close friends and relatives reveal another facet in which he stood out above all: that of being an excellent conversationalist, capable of hypnotizing and seducing those who listened to him.