A flight to Lisboa is diverted to Beja due to a snowstorm, forcing several passengers to spend Christmas Eve away from their families.
A flight to Lisboa is diverted to Beja due to a snowstorm, forcing several passengers to spend Christmas Eve away from their families.
A man died under mysterious circumstances. An insurance company expert has to visit the four women in his life - his mother, his widow, his daughter and his mistress - to find out the causes of death. With each account, the deceased will appear in a new light, to the point where it is doubtful that it is the same man.
The story of a man. Maybe two. A father who leaves home taking nothing with him but the mailbox and a suitcase. He sits on a garden bench, on the street, waiting for a son's answer. Every day he sends him a letter and every day he hopes to get a letter back. Every day he combs his hair, puts a tie on, and shaves to be ready to receive that letter by the time the postman passes by.
Passionate romance, brutal treachery, and selfless nobility are set against the background of Napoleon’s 1810 invasion of Portugal.
A regular family living in the outskirts of Lisbon sees the serenity of their lives shaken beyond any remedy within a week.
Maria Vitória lives in a remote village in the Portuguese mountains and plays football on the local boys youth team. Determined to become a professional, she devotes all her free time to intense training with her father. Their routine is shaken by the unexpected return of her older brother, who left many years earlier after a tragic fire that took their mother’s life. As she prepares for the most important match of her life, Maria begins to question her father’s authority and gradually seeks a way to break free and take control of her own future.
Joaquim is released early from prison after sixteen years. Hiding it from his family, he takes on a dangerous job as a boatman ferrying illegal clam-pickers out into the river as a way to buy his daughter the piano he once promised her.
Thirty-something Vítor still lives with his mother, Fátima, in his grandmother Júlia’s apartment. Fátima is a hairdresser with a quiet disposition who, at night, fantasises about the policeman who has just moved in next door. By day, Vítor is a lowly employee on a TV show. But at night, he dons his neighbour’s uniform to win the favour and satisfy the desires of a boy he’s met online. In her retirement home, Júlia is unable to sleep at night and has long forgotten what drugs she is meant to be taking. She misses her dead husband, who manifests himself in the body of a living friend, and gets involved in her daily activities. Through these characters, Diogo Costa Amarante constructs a fascinating portrait of lives lived while desires remain unrealised.
A group of soldiers are sentenced for the murders of key political figures in the night of October 19th, 1921, in the streets of Lisbon. But the names of the conspirators remain unknown. Berta Maia, a widow of the 1910 revolution hero Carlos da Maia, will fight for the truth…
Monteiro moved far away from the visual opulence defined by his earlier films with his inspired adaptation of radical Swiss writer Robert Walser’s anti-fairy tale. Carefully restricting the image track, Monteiro maintains an almost totally black screen in order to focus instead on the voices of Snow White, the Prince, the Queen and the Hunter, engaged in an extended debate about love, free will and the events leading up to the fateful attempt on the maiden’s life. Despite its visual austerity, Snow White is haunted by the arresting images with which it begins – infamous black-and-white photographs of Walser lying dead in the snow after his heart attack outside a Swiss asylum at the age of seventy-eight, a strange realization of the “death of the author” so central to postmodern literary criticism.
Inês is a teenager from a wealthy family. However, after classes, he participates in risky sexual games, compulsively uses the internet and attends the nightlife of Lisbon, entering a spiral of total destruction.
Miguel, a debutant director, and his young team live a series of tribulations during the shootings of their first film, which unrolls between Lisbon, Venice, Paris and Madrid.
Sara moved to London to find a job in graphic design, but she's stuck in a restaurant kitchen. Today, after one more rejection, she starts facing her failures and the reality of her life. Torn between her Portuguese roots and the need to make her own path, Sara finds herself on the edge of change.
Episodes from throughout the entire military history of Portugal are told through flashbacks as a conscripted student of history recounts them to his fellow soldiers while they march through an African colony in revolt during 1973.
1917, a beautiful apparition of Our Lady forever alters the lives of three children: Lucinda, Jacita and Francisco who lived in Villa Fatima in Portugal.
The journey of 11 women while they go on a pilgrimage from Bragança to Fatima.
João is a quiet 13-year-old boy who feels increasingly disconnected from the world around him. His mother, absorbed by work, barely notices the changes taking place in him until his struggles come to light at school and she is forced to step in. Pushed into therapy, João meets Mariana, a woman marked by wounds of her own. Between them, a fragile bond begins to form, unfolding through moments that hover on the edge of reality.
Xavier, a village boy, falls for Laura, neighbor's granddaughter who visits her grandfather annually. Despite flirting at summer dances, Xavier believes he has no chance with her.
Follows the fictional rivalry between two of Portugal's most prominent football teams - Invicta e Castelo and how their mutual disdain has spread further than the pitch.
Lúcia is an independent woman who lives alone in Lisbon. Her father commits suicide leaving her a message on phone recorder, revealing a letter he wrote. However Lúcia can't find it in her father's house. On that visit she ends up meeting with her mother, a known political activist with whom she has a distant and tense relationship. In hope of finding the letter, Lúcia leaves to the farm where she grew up, on an isolated location. There she reencounters Álvaro, an old childhood companion, who shares a little life time he has left between roses and the piano, and the guardian angel that follows and protects her through nocturnal wanderings.
Pessoa famously published under many heteronyms: around 75 different names, each with fully fleshed-out backgrounds, styles, appearances and philosophies. Taking this a step further, Não Sou Nada gives flesh to these characters, all working together under Pessoa, enacted by Miguel Borges, at the publishing house The Nothingness Club.
João, a young man which uses to have much success with women but doesn't treat them as he should. They are like a toy to him, till the day he meets Ana. That girl will change his life and the way he sees the relationships between men and women, but not before a "little problem" called Sofia - a TV star in the movie - come into their relationship
Mozambique, 1969. What was meant to be a peaceful Christmas Eve ends up badly as a group of soldiers brings home a prisoner that will be murdered. Simultaneously, the Capitan's wife arrives in surprise, bringing along a Priest, who is supposed to celebrate the mass.
A teenager does a forced summer job in a forest watchtower, indifferent to the immigrants in the surrounding greenhouses.
After another failed attempt to get pregnant, a young couple begins to diverge in their desires. Pandemics, climate change and life’s uncertainties loom large. What does it mean to bring a child into an ever-more-complicated world? The cycles of nature and the seasons remain constant either way.
A fraught mother-daughter relationship is put to a terrifying test when the family patriarch dies, and the grieving mother hires a mysterious stranger to bring her husband back from the dead.
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