A Part of Us

In this retelling of a real case, a former escort discovers her wealthy husband's infidelity and struggles to cope as betrayal poisons their marriage.

To maximize economic productivity, the Brazilian government orders elderly people to move to remote housing colonies. A 77-year-old woman refuses and embarks on a journey through the Amazon that will change her destiny forever.

At the age of nine, Rebeca is sold by her grandmother to the bookseller who ran Rocinha. Disputed by bicheiros and drug dealers, the community is going through changes in power. Rebeca becomes the wife of the chief drug dealer and, with the death of her partner, his successor. The electrifying trajectory of crime, violence, drugs and love of a female drug kingpin in Rocinha, Rio de Janeiro in the 1980s.

Film about an important episode in Brazilian History: the Araguaya guerrilla. In the 1970s, when Brazil was ruled by a military dictatorship, some left-wing militants and peasants took arms against the Army, in the Amazon. Right in the middle of the conflict, there stood a French priest who had come to the region in the 1960s, and got involved in the events leading to the rebellion.

In 1917, Rebeca flees from hunger and war in Poland and arrives in Brazil to reunite with her husband and start a new life. In Rio de Janeiro, she discovers that her husband has died and ends up being held hostage by a large prostitution and women trafficking ring, led by the ruthless Tzvi. Rebeca transgresses her own beliefs and finds allies who are experiencing the same drama. Together, they decide to fight for freedom.

A story of a polyamorous, non-binary relationship struggling to survive an epidemic of genetically modified killer mosquitos.

Felício, an old comedian, is in decadence after his partner Mandarim's suicide. When he finds out his former love Paloma has died, he leaves São Paulo and heads for the faraway State of Piauí, North of Brazil, in search of a new partner. He believes that if he manages to find him, the good times will return.

Elias is a handsome young deputy manager in a garment factory in São Paulo. When he’s not working, he enjoys casual encounters in the big city. The arrival of a young African, Fernando, on the production line piques his interest and Elias finds himself increasingly drawn into socialising with his work colleagues.

A downtown square in a Brazilian city is the central stage for a series of close observations of one of the prostitutes working the streets. Apart from their mutual understanding, these women's lives seem doomed to pass by unnoticed. Filmed with cool reserve, Raw leaves the viewer with a sense of poignancy.

In Rio de Janeiro, at the end of the millennium, a group of mostly middle-aged friends share their lives and experiences with each other.

In the periphery of São Paulo, the pregnant single mother Cleuza works as maid in the apartment of a middle-class family. Each of her sons has a different unknown father: the oldest, Dênis, has a baby son that lives with his mother and he works as motorcycle courier.

Year 2006. There are riots in São Paulo. In the middle of the violent situation, widow Lucia is trying to get her young son Rafael from prison.

A movie about a Brazilian entrepreneur who rivalled American's richest man at his time, well-known Rockfeller. Irineu Evangelista de Souza in 1867 had $155.000 contos de reis, meanwhile the Brazilian Governement annual budget was 97.000 contos de reis. The movie shows his life from poverty to riches and back to poverty again, as is common in Brazil, rich people die poor.

A man who grew up an orphan finally gets to meet his father: The psychopath Dr. Josef Mengele, the Auschwitz surgeon who performed genetic experiments on concentration camp refugees during WWII.

To protect herself from a revolt by the workers on her family's farm, a reclusive designer locks herself in her armored car. The clock is ticking and the tension rises. Separated by an impenetrable layer of glass, two universes are about to collide.

Ney and Marcos share an apartment, the passion for music and for the same girl until time tears them apart. A few years later they meet again reviewing their attitudes, emotions and memories.

João (Gustavo Vaz) and Mariana (Andreia Horta), a couple in love who have their relationship interrupted in an untimely manner. Five years after their abrupt separation, he decides to go with his gut and sets off on a long bike journey to try to convince her that the romance should never be over. The love, which still exists between the two, is then called into question.

To escape past traumas, a truck driver João decides to leave his hometown behind and travel cross the country. Alone and lonely he drives all over Brazil until João discovers hiding in his truck a motherless boy looking for his father. Reluctantly, João agrees to take the boy to the nearest town and, during the trip, he finally finds the courage to face his past.

A group of friends come of age during the political turmoil that plagued Brazil in the 1960's and 70's. Together, these musicians form a band called "Os Desafinados" and become a part of the groundbreaking Brazilian musical movement called Bossa Nova

Maria Auxiliadora is a 24 year-old woman very poor, that she lives Joana, her 7 year-old daughter close to. Needing go look for the result of Joana's exam in the hospital, Maria asks the priest of the local church that takes care of her to return. In spite of Joana's insistence to go with the mother Maria insists that she is with the priest, because she distrusts that her daughter suffers of a serious disease. To entertain the girl while it awaits the mother's return, the priest decides to tell her a mother's history that dedicated her life to the son: Mary, mother of Jesus Christ.

The story of a young black man, Héracles, who after being released from a juvenile institution, tries to apply for his first honest job as a motorcycle delivery boy. To get the job, he has to perform 12 hard tasks in São Paulo.

A married couple lives peacefully with two children until the husband starts getting violent.

Jéssica is a simple young woman, dedicated to her job at an antique shop in Rio de Janeiro, but she feels her life lacks purpose. Everything changes when she finds a mysterious locket identical to an item she inherited from her late mother. Driven by the desire to understand the connection between the locket and her family history, Jéssica teams up with Gabriel, a distant relative who appears unexpectedly.

After her grandmother’s death, Nina leaves Rio for a small town in southern Brazil in search of a fresh start. There, she meets Pedro and goes through experiences that transform her perspective on love, friendship and the future.

In the late 1960s, with the arrival of his bar-mitzvah, Michel was tasked with learning about his family's history.

Rosália is a woman from São Paulo who has spent decades of her life working in a factory. One day, she is fired.

During the military dictatorship in Brazil, Lorena, Lia and Ana Clara, three university students of different social backgrounds and origins meet at a nun's pension in São Paulo. Besides their differences, they become close friends, sharing their dramas and dreams, helping each other until the day they have to separate permanently.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

After crashing into a party, a young man discovers that this will be his last night.

Demônia is a devilish being. Or an evil woman.​

Three families, in three different situations, have to deal with a sudden change in their lives, caused by a loss or a re encounter. Three mothers sing their love for their children while facing difficult times. A film about affection on the borders of painful happenings.

Tete hates her feet. When she meets Hector, a gracious boy of Chinese descent, she decides to change her looks.

Quinzinho has a promise to keep: to take his son, Neco, to the city to watch a Mazzaropi movie. They live in a small farm in São Paulo. In this odyssey through the towns of São Paulo, he also takes his wife Zulmira, who goes unwillingly, and their donkey Policarpo. On their journey, they find regional peculiarities and undergo magical situations related to popular belief.

A son and father must tell the mother the sad news.

Four actresses in their mid-forties get together in the afternoon to write a play about their own experiences. But the director isn't satisfied with the outcome.

Alice Segretto is more agitated than ever. The success of her chain of stores Sexy Delícia takes the businesswoman on a tour around the world. Working endlessly, Alice realizes that she has not been able to keep up with her family, which has also grown. Conflict sets in: how to reconcile this insane life with her family? Impetuously, Alice makes a curious decision, deciding to retire and hand over the business to her mother. But when a competitor comes up with a plan to steal the scene, Alice's life is once again flipped legs in the air.

The documentary is a tribute to Theater based on the trajectory of Clarice Niskier who made her job her own lifestyle. As a central axis, interviews with the three directors with whom Clarice developed long partnerships: Domingos Oliveira, Eduardo Wotzik and Amir Haddad. Through an intimate and sensitive look, the film reveals her passion for the craft, her life experience, her poetic worldview, her spiritual and intellectual search, pains, joys, losses and gains. Clarice makes the black box the more than perfect symbol of her own Universe: the Theater.

Janaína is a black screenwriter embarking on a new audiovisual project. She meets the rest of the team, where all of whom are white, on a farm. Pedro, the leader of the script room, disappears. Janaína investigates and makes unimaginable discoveries.