A Obra de Arte

Interpretation of the artist's work and life from fragments of his performances, installations and works. With diversified material, starting with the pyramid of the Louvre, it records the creative and affective universe of one of the greatest plastic artists of the contemporary world. Before being a documentary, it is an espionage carried out without fear of self-incrimination.

A rescue of the history of Ipanema beach in the 1970s, when the construction of a pier changed the landscape and created fertile soil for a generation of artists and sportsmen.

Follows the story of Opinião, a theatre group created in 1964 during the early Brazilian dictatorship period to oppose the government through artistic performances. Considered the first left-wing response to the dictatorship, the group gathered now famous Brazilian artists such as Nara Leão, Maria Bethânia, João do Vale and Millôr Fernandes.

Sending a burning arrow into the stunting effects that the compartmentalization of culture has on how creativity manifests, visual artist Doug Aitken embarked on an experiment exploring a less materialistic and more nomadic direction of art creation, exhibition, and participation. Station to Station involved a train that crossed North America housing a constantly changing creative community including artists, musicians, and curators, who collaborated in the creation of recordings, artworks, films, and 10 unique happenings, across the country.

Super 8 film by Luiz Alphonsus. Presented at the IX Bienalle de Paris in 1975.

The artist Cildo Meireles in search of the sound of Brazil's main water basins in order to construct the sound sculpture Rio:Oir (River:Hear) created from the play on words and concepts. From Foz do Iguaçu to the Pororoca of Macapá, from the Águas Emendadas Park to the mouth of the São Francisco river, and later, in a studio, gathering the pieces and matching them to the cacophony of residual waters and human laughter. The documentary "Listening to the River" reveals the artist's simplicity, the relation of region's inhabitants with water, and it enhances our perception between sound and image.

Grupo de Bagé was an artistic movement that emerged in Rio Grande do Sul in the 1940s, led by painters and engravers Glênio Bianchetti, Glauco Rodrigues, Carlos Scliar and Danúbio Gonçalves. Linked to Taller de Gráfica Popular do México and the Communist Party, they turned printmaking into a way of popularizing art, with realistic themes and social denunciation. The documentary reveals the appropriation of these artists of the brazilian arts, from the pampas in Rio Grande do Sul to the palaces of Brasília.

A Brazilian avant-garde film matching the image of John Wayne on horseback to incongruous discourse in Portuguese.

A gay barber swallows a large rock from the sky that turns him into a sexy superheroine. She soon finds herself fighting against a giant frog, a zombie outbreak, and a group of warriors who plan to turn the world's males into females.

Ada is a shy gay man living in a small town in the Philippines. After many heartbreaks over many years, he has committed himself to a simple and single life. But when a magical stone from outer space transforms him into a flamboyant female superhero, Ada is forced to face fantastic challenges. From fighting zombies to stopping invading Amazonistas from Planet X, to the even more difficult task of risking his heart to love again.

A silent film shot in New York in 1972, including scenes in Hélio Oiticica’s apartment. Last film made in exile by Bressane, it mimics the experimental concept of "quasi-cinema" by Hélio Oiticica. It consists of a fragmentary experience of freedom, in super-8 and 16mm, in a code out of time, out of the square, while recreating (with different cameras) the wild and sensitive look that Oiticica dedicated to cinema. Its definitive 71-minute restored version was completed in the early 2000s.