A Man Aglow

Living together in an isolated house, three women go to murderous lengths to keep strangers out of their private retreat.

Frank, a dedicated schoolteacher, embraces the sexual freedoms of the city’s underground scene—navigating a double life in public restrooms, cinemas, and cruising spots. When he meets Bernd, a sweet and steady museum worker, he finds himself torn between the comfort of domestic partnership and the allure of anonymous desire.

Film director Jeff and his lead actor are taking their time getting to set. In their absence, the crew lack a purposeful way to spend their time waiting, so they drink heavily. However, as booze is downed and frustration sets in, morale hits rock bottom.

Eva, an upper-class housewife, frustratedly leaves her arrogant husband and decides to enter the call girl business. She lets Yvonne, a prostitute, teach her the basics and both set out for prey together, until Eva starts an affair with Chris, who turns out to be a call boy, as well. Consequently, she moves into his penthouse, large enough for both to offer their services separately.

A mentally unstable woman and her son move to a sprawling mansion in Portugal to grow roses.

In this one we look at the cases of a number of young women and their plumbing problems as seen through the eyes of the narrator, a moralizing but well meaning gynaecologist.

A young shoemaker is arrested for stealing a small amount of money, and is jailed for fifteen years. Upon his release, he wants to get a permit to get a job and start anew, but finds that without a job he can't get a permit, and without a permit he can't get a job. Ensnared in the absurd net of Prussian bureaucracy, he can't see any way out. That is, until he enters a thrift shop and spots a Prussian officer's uniform that fits him like a second skin...

Collage of dramatic scenes, some exaggerated to comic effect, with asynchronous sound from well known classic, operatic, and rock and roll music – with different approaches to love, suffering, and death.

Detective C.G. begins to investigate the death of an attractive woman whose naked body was found in Beverly Hills. When he recovers her journal, he is taken into her past where he finds that she lead a sexually promiscuous life. Perhaps in the pages of the diary will be a clue to her killer's identity.

In unconditional fatherly love, an old shoemaker clings to his son, a spoiled good-for-nothing. After the Filius has ruined the respected shoe shop, he gets further and further down the wrong path without opening his father's eyes.

Uwe Friessner’s first feature, At the End of the Rainbow, follows the exploits of a West Berlin teenager named Jimmi who ekes out a living through petty theft and part-time hustling, hangs out in punk clubs, and who, for reasons which this film subtly details, is thoroughly unemployable. Drawing on his own experience in trying to help a young runaway who eventually committed suicide, Friessner wrote into Jimmi’s story several older students who attempt to find work for him, and who give him shelter for a time in their commune.

A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an iron fist. Katerina is driven by a lust for life and for love. Her husband, though, is impotent; her father-in-law a tyrant. No wonder, then, that she longs to free herself from this yoke. When Sergei starts work on the family estate, she sees in him a chance for salvation. However, their subsequent affair marks the beginning of a descent into crime.

Hungerjahre is a movie about adolescence in 1950s West Germany, in which director and scriptwriter Jutta Brückner comes to terms with her own memories.

Countess Franziska "is kidnapped" by a band of robbers. However, her father is not willing to pay the ransom so Franziska changes sides.

Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.

Futuristic view of life in Pankow, East Berlin. The GDR has turned into a madhouse with serious economic problems.

Lieschen Müller is in her mid-20s, works a dull office job and fancies the handsome waiter from the diner down the street, wishing for a more exciting life. In a vivid, lucid dream she happens upon a gigantic fortune, allowing her to live out her wildest fantasies. Quickly, however, she realizes that that's not what makes her happy.

Otto Dernburg is forced by circumstances to dress up as a middle-aged woman.

Anny arrives in Munich to start a career as an actress, but soon ends up without money and job, sleeping on a park bench. When the police picks her up, she pretends to have amnesia and is taken to the police station. There she's surprised to get presented to her alleged parents. Not knowing yet what kind of game they play, she goes home with them and lets the rich couple coddle her.

Short film against the oppression of women. At first, differences in education are presented and then how the relationship between women and men looks like in the professional world.