A Letter to L...

The supremely world-weary Lemmy Caution, last seen in Godard's "Alphaville" (France/1965), has several strange encounters while trying to make his way from the former East Germany to "the west."

After learning of her husband's infidelities, a housewife invites an itinerant lesbian to move in with them. None of their lives will ever be the same again.

The Parade, in a tragicomic way, tells the story about ongoing battle between two worlds in contemporary post-war Serbian society - the traditional, oppressive, homophobic majority and a liberal, modern and open-minded minority... The film, which deals with gay rights issues in Serbia, features footage of the 2010 Belgrade gay pride parade. The film introduces a group of gay activists, trying to organize a pride parade in Belgrade.

Young trans women turn the streets of Paris into their cabaret. Their dreams are quickly caught up by reality.

A history teacher from Belgrade and his wife arrive in a Montenegrin seaside town in order to combat his debilitating depression, which burdens their relationship. While Nikolija does research in a museum, Damjan wanders aimlessly through the dormant town. Then he encounters an mysterious local lady and her grandson.

A famous French filmmaker is hired by a major Hollywood producer to make a documentary on the state of post-Cold War Russia. The filmmaker, though, subverts the project by stubbornly remaining in France and casting himself as the title character of Dostoyevsky's "The Idiot," offering up a series of typically Godardian musings on art, politics, the nature of images and the future of cinema.

A love story between a teenager girl and a small time mob set in Belgrade during the times of great political turmoil.

Spomenka is “neither a child nor an adult” and she, after the breakup of her family, lives at her aunt’s. Her mother announces return from abroad after a long period, which awakes hope with Spomenka that everbody would be together again.

A grenade fired from a nearby hill kills the parents of a ten year old boy during the siege of Sarajevo in 1992. The Boy looses his ability to speak. A lady neighbor adopts and takes care of him. The Boy is thrown out from his destroyed apartment and begins to prowl around the city with a schoolmate. Too early and too soon, he goes through the process of growing up. He learns the meanings of such words as force, death, sex. He learns how to achieve. He learns about the values. He learns what matters the most. The Lady neighbor that takes care of him tries to shelter him and protect him. Unsuccessfully. The Boy rides to fall. Death and suffering become more frequent, and more severe. When the Lady neighbor's teenage son is killed by a sniper as a collateral damage, she then rejects the Boy. The Boy escapes the siege, and shoots from a cannon at the city.Fifteen years later, the Boy - now twenty five - and the Lady neighbor meet again. They are united in pain and suffering.

A famous fashion designer returns to his birthplace in a tiny Serb town, in the wake of the recent war. Although the inhabitants still love to dance the tango and live life's pleasures to the full, the Mafia have gained a foothold.

Without warning, Mélie disembarks on the cargo ship where her father has the sailor's blues. He remembers his drifts and his friend Max who used to get him into some crazy situations. He remembers Alice and Luc whom he decided to avenge. He has his grenade ready. But Melie has just arrived.

Anica lives in New Belgrade, a miserable district of tower blocks and concrete. She is mistress to Milutin, a wealthly local criminal who owns a solarium and runs a protection racket. Anica is determined not to grow old in this dump where neither love nor life seems to offer her a decent future. One grey winter’s day Anica has an idea to steal money from Milutin’s safe, get on a plane and leave the country forever.

This is a modern age romantic comedy about the trials to find the right person, in four very different love stories. Initially, Stefan, a young overbearing Belgrade driver who does not believe in anyone or anything, falls in love with Sylvie, French singer, which controlled herself for too long, and now is on the verge of a nervous breakdown and for the first time she will do all that she has always dreaming of. Melita, a frustrated middle-aged woman, who by day works as an organizer of the concert evenings becomes disappointed because her lover, Brian, an American diplomat, in fact, is not the guy that he say he is.

Dagi is a famous actor, but a heavy drinker. At one point his condition becomes critical and he ends up in the hospital where he is diagnosed with delirium tremens. Having lost sensation in his limbs, incapable of grasping what is happening around him, imagination plays tricks on him, and as he falls into delirium he finds himself in surreal situations. Once he comes round, he realizes that his life has been ruined and attempts suicide. Saved at the last moment, Dagi remains in the hospital overcome with apathy. However, things change when Lisa, a therapist from England, appears with a revolutionary new method of therapy for severely affected patients known as - psychodrama.

Lunettes and Myope: two ways of resisting the world. Identical and opposites, face to face or, more often, back to back, in a small room in a timeless space. Twins and adversaries, these two girls make one: Lunettes uses her glasses to help her understand the world, or at least accept it; Myope can't see, except within herself, and lost in her blurred, but sharp, experience of the world, rebels continuously. Incited by Lunettes, Myope creates (in the same city and climate, but in another dimension) two characters: Pierrot and Agathe. To a certain degree, these two are a disjointed response to Myope, Lunettes, neighbors, and distant representatives. It's very hot. The inhabitants are interested in fountains and shadows. They build cool cabins, hanging curtains over the balcony balustrades. Asphalt sticks to the soles of sandals and when the wind blows, the canopies flap above the café terraces.

A man invites a woman to share his room in a hostel and gradually falls in love with her.

In a post-apocalyptic future, two men who have lost the ability to speak fight to preserve the last remnants of their humanity. They travel across a ravaged France and, in a desperate act, break into Paris. The city, turned into an impenetrable fortress, is the last stronghold of a wealthy and decadent elite.

In a distant future following a nuclear catastrophe, the West Balkans have become a lawless wasteland where the most valuable currency is the bullet. A mysterious blind fiddler wanders the ruins, singing the legend of the "Grain People"—a peaceful community of wheat-growers who refuse to submit to a distant city's tyranny. When a young warrior’s family is slaughtered by a deranged warlord, he embarks on a bloody quest for vengeance. Armed only with a blade and a motorcycle, he must navigate radioactive cults and hallucinations to protect the last remnants of civilization.

In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.

A young man meets his soon-to-be in-laws but discovers behind their proud and wealthy appearances some deep issues and lies.

Robert Millard has based his industrial kingdom - based on all the noise technologies - thanks to his marriage with the wealthy and cantankerous Irene, he blithely cheat for years. However, his last link with his pretty secretary, Eve, is the straw that broke the camel : Irene has indeed hired a detective-photographer, aptly named M.Colle order to have a maximum of incriminating shots. Threatened to divorce and thus to total ruin by his wife, the unfaithful husband should give up and dismiss Eve.

Michel Recanati was a militant leader in the May, 1968 riots in Paris, organizing many groups to meet, discuss, and act on leftist principles both before and after the disturbances. He was imprisoned for a short while in 1973. Disillusioned after the failure of the demonstrations and the death of the only woman he had loved, his life seems to have changed from a period of hope and activism to one of bottomless despair. His friend, Romain Goupil wrote and directed this biographical documentary. Death at 30 received the 1982 Cannes Film Festival's Golden Camera Award for "Best First Feature-Length Film."