A Joyful Afternoon

The wife of the Swedish Ambassador of Greece becomes involved in a romantic triangle, but the man who comes between husband and wife has a preference for the husband.

An unfinished love story between glimpses on wheels.

The life and action of Laskarina Bouboulina. Captain Lascarina decides to organize the revolution in Spetses and to participate herself, despite her double widowhood. In the struggle for the liberation of Greece, she gives all her property and fighting along with her lads.

A daughter discovers her wealthy family is actually on the verge of bankruptcy and decides to charm a millionaire for his money in marriage. Soon she is torn between living a lie and keeping up appearances.

This film is a social comment of the times, exploring issues that centre around relationships and what was allowed and what was not allowed at the time (early 60s) in Greece. There are sub-plots also, mainly relating to the life of the poor city dwellers, social injustice and seeming double standards. Aliki Vougiouklaki is a poor young girl dreaming of a better life and the "handsome prince on a white stallion" who will deliver her from her miserable existence. She meets and falls in love with a young man (Nikos Kourkoulos) who also falls in love with her, but things are not as simple as they first seem. His past comes to haunt them with tragic consequences. Vassilis Diamantopoulos is excellent as the half-crazed old captain whose life strangely echoes that of young Aliki.

The coming of age of a young student, through a series of events and erotic-emotional regressions, the same time that his mother is pregnant, without a father, while his boss falls in 'old age. "

Eirini and Stella are two old maids and sisters who have grown up in the provinces and now live in Athens, in an apartment that looks out onto an open-air cinema. They are almost forty, still virgins and dependent on each other. Their only relative is their cousin Stefanos, with whom they were both in love, but who has been away in Paris for years. When he comes back and visits them, the balance between the two women is upset.

A modest film of three independent parts showing sad couple stories.

Two rival brothers vie for the same woman against the backdrop of peasant revolts in their Greek homeland. In Thessaly in 1907, a man incites the poor farmers to take over the land they work for the benefit of the landowners. Odysseus (Nikos Kourkoulos), the son of one such landowner (Manos Katrakis), refuses to clash with the farmers.

In late-1950s Athens, a big sister and her twin brothers sneak in their grandfather's distillery to perform a strange rite. But, how important is the last drop of the rare "Dead Liqueur" to the experimenting adolescents' budding sexuality?

Petros (Georgos Kambanellis), son of the factory owner Tsamis (Lavrentis Dianellos), is in love with his father's worker Martha (Martha Vourtsi). However, before they can get married, Tsamis' intrigues and scheming lead the relationship to a shipwreck and Petros marries the rich woman approved by his family. Ultimately, however, Tsamis regrets his attitude. Thus, the young couple unite their destinies and live happily ever after.

Taxidi Tou Melitos is about the fear that most elderly people experience: approaching death. Leon (Stavros Xenides) and Zaharoula (Betty Livanou) are heading out for their annual vacation at a summer resort. Instead of their usual carefree anticipation, their mood is subdued because their daughter has just married and is off on her honeymoon. Life is lonely without her and the couple cannot avoid the realization that death is not that far away for them. Once at the resort, Leon tries to overcome this nagging fear by taking a wild plunge in the ocean, naked, as he and Zaharoula are out walking on the beach. Taken up in the spirit of the moment, she joins him among the waves. The results, however, are not what they expected.

Katerina is a spoiled rich woman who spends her time playing with the men who surround her. Only herself and her parents know she is dying and that the first possible emotion will be fatal.She knows that the first time she will love will be the last one and so he is not given to anyone until he meets Stephanos.

Spying a lissome young woman standing topless on a nearby balcony, Giorgos (Andreas Barcoulis) climbs up onto a nearby rooftop to get a better look. At a critical moment in his climb, his family and friends call out to him and he falls, suffering a terrible blow to the head. Ineed, at the hospital, the family is told that he is brain dead, and that if they like, his heart can be given to someone else as a transplant. Giorgos' grieving wife (Betty Livanou) agrees to this arrangement. The film now follows the recipient of the dead man's heart (Giorgos Constas), as he wanders all over Greece, driven by his newly lusty heart into the arms of many beautiful women. Eventually he is led to the one woman his new heart truly loved, Giorgios' wife.

A young man with ideals, equipped with a high-school diploma, dreams of a quiet and honest life. Nevertheless, being unable to find a job and facing the problems of unemployment, he gets involved in a ring of thieves. The hoodlums organize a major heist. Lefteris agrees to take part in order to solve his money problems and live happily with his girl. Things, however, do not develop smoothly. The hero, at the last moment, manages to escape and avoid arrest by the policemen, thanks to the help of a girl who works in a cabaret in Piraeus and is in love with him.

A promising civil engineer, Stelios, delays his marriage to his beloved Anna because he wants to marry off his sisters first. When Anna becomes engaged to a wealthy sailor and his plans for a major project are rejected, Stelios leaves for Kuwait to work. In an accident, he loses his sight and returns to Greece. Anna will wait for him—since she never married and remains faithful to him—and with the help of a doctor, Stelios will have his eyes healed. His luck has changed radically and the same man who initially rejected his plans will now hire him in his business.

Antonis is a tough and heartless guy who, after several years in prison, is released and returns home, causing great turmoil in the previously peaceful life of the village. Everyone fears him and avoids any kind of conflict with him for any reason. Tassos, however, who has recently returned from abroad and has a heightened sense of justice, does not hesitate to confront him in order to win Vasso's heart and save her child (from her first marriage), who has been kidnapped by Antonis in order to blackmail her.

An almost irresistible attraction between the rich daughter of a factory owner and a successful popular singer will lead to marriage against her father's will. Is he the good and honest man everybody says? Will money corrupt him, too?

A young woman loses her mother and decides to take over the family business, coming into conflict with her stepfather. She marries her lover, but a fight between them leads her to run away. Their separation is temporary.

Portrays the marine element as a catalyst between myth and historical experience via the evocation of the major events that shaped modern Greece in the course of its past decades.

Donusa is a small island in the Aegean, visited by the mainline ship once a week. One winter day a young German photographer, Stefan, arrives and soon feels strangely attracted to a local girl called Eleni. The stranger’s presence works as a catalyst shedding light on Donusa’s conventions.

The stories of three lonely people surviving a sweltering summertime in Athens are interwoven in this gentle romantic drama. Nikos used to be a merchant seaman, traveling around the globe to exotic places and testing his wits and his mettle in different situations. Now he is retired, living in Athens with his wife whom he no longer loves. While at the train station, he encounters a woman who faints more or less into his arms. From her, he learns that this day has already been special to her for two reasons: her husband just died, and it is her birthday. Curiously, this meeting sparks new life in him. Another man suffering through the hot Athens summer is a bank employee who gets calls every day at four p.m. from a woman who seeks to arouse him. What she succeeds in doing is rousing his curiosity, which he is likely to regret giving in to.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

A nephew of three strange uncles loves a girl, but his uncles are against the marriage. A resourceful aunt takes the case and helps the couple.

"Arpa-colla" in Greek literally means "Grab and stick", a phrase used to show something that has been done quickly and therefore isn't good enough. This is what the 2 main heroes of the film are doing. The one is a director(Giorgos) and the other an author(Kostas) with communistic ideas, who has won a prize at a festival. They both want to make a movie for the cinema. But every idea they have never comes true, because every time they meet someone to whom they tell their idea, they change their mind, and they want to make a totally different movie, ideas varying from political cinema to Greek historical dramas and modern films with motorcycle gangs. Not a bad attempt for the Greek cinema of the early 80's, which starts to wake up from the hibernation of the 70's.

Peter, the hero, aged 20, finds himself on a deserted Greek island with no other men in sight. The women of the island, regardless of age harass him sexually. What starts off as a typical male sexual fantasy turns out into a nightmare

After professional stickup man Mario Corda is jailed, his young, ambitious partner -- who covets both Corda's life and his wife -- cuts loose, leaving a trail of dead bodies in his wake.

The Alceste (Betty Livanos) is a fifty-year woman with two daughters, who still retains the youthful glow of years. The decision to follow her lover to England resulted completely disrupt relations with Mika (Christiana Matzouranis), her great daughter. When Alcestis decides to settle in Greece, wants to make a new beginning with her daughters. But Mika confronts her icily, and never accepted behavior of her mother. A legacy in Galaxidi addressed Alcestis and her daughters, imposing the coexistence of the family. Only that Mika has decided to send a representative to husband, Marino (Haris Romas), a winemaker ... Behind the aggressive attitude of Marino for the charming mother of hiding a strange eroticism to unforeseen development, which causes many comical situations ...

A rich girl leaves her family to avoid marrying the person her father has chosen for her. Her father offers a reward in order to find her and an other girl that looks exactly like her is brought to him.

A businnesman, Sotiris Karelis, is presented to the piano teacher and twice a widow, Antzolina, and asks her to sell her mansion in order to convert it into a hotel. The same time, an Italian music group arrive in Corfu, which has been abandoned by Alinda Ritsi singer. Antzolina is persuaded not only to host her home but also to replace the singer. However, there is a lot of confusion because the singer of the group Alinda Ritsi comes in Corfu with her fiancée, and everyone is starting to look for their real identities.

Lampros, a successful journalist and his wife, Christina, who also writes in a magazine, have been constantly confused. In each of these battles, nostalgia refers to Stephanos, a youth of love. One night Lambros meets Stephanos, who after many years does not respond to his old image. But he avoids telling his wife, not to be disappointed. She thinks she is beating her, hiding her where she was all night and starting the divorce process. When I add to all this and the flirting of a young lawyer, Christina's mother will take over the problem ...

At the Presidential Mansion news arrives every day indicating that things in the country are going from bad to worse. The President summons all the political leaders in order to understand exactly what is happening; and yet no one can enlighten him. He decides to act. He calls two journalists and assigns them the task of investigating the matter by speaking directly with ordinary people. The investigation starts with the notorious Gypsy Tamtakos, who struggles every day for a living. Then they move on to a simple employee, Markos, who dreams of a raise -which never comes. Then it's a farmer, Thymios, who comes to the capital to sell his oranges. In a largely burlesque manner, the film more or less reveals that the entire misfortune is due to Greeks' laziness and apathy, as well as to the prevailing attitude of "no big deal".

Philip (Giorgos Constantinou), a shy and dignified accountant and English teacher, lives with his mother (Zoli Garbi) and his two siblings in the same house. His and his mother's meager income, just enough to support them all. His younger brother (Alekos Tzanetakos) remains unemployed and lazy rather out of conscience, while his older brother, Kimon (Orpheus Zachos), dreams of being re-elected prefect and refuses, although a qualified accountant, to work, considering the positions demeaning and irrelevant offered to him. His tragic financial situation will be further burdened by their imminent forced move to another house. It is also the first color Greek film, edited entirely in Greece. It is based on the play "The 6th American Fleet" by Alek Sakellarios and Christos Giannakopoulos, who also wrote the screenplay, while Sakellarios directed the film.

Thanasis is against marriage, by conviction. But he changes his mind when hiring Mary as secretary.

The crazy farce about entanglement and dark political backroom dealings "PUT THE MINISTER IN THE SOCKET." However, the very variation on the title also expresses the spirit of this new comedy. Around the machine that keeps the prime minister of the country dead and alive unfolds a farce of dealings and entanglements with only one goal: To change nothing. The political backstage strikes, always for its own benefit, all kinds of scenarios aimed at not changing anything in the country. A comedy about a world that makes sure - in a sometimes criminal way - to keep up the pretense and do nothing at a time when finally some people have to plug in to do something.

Historical documentary, on the life and work of the great Greek politician who contributed decisively to the shaping of the physiognomy of modern Greece. Venizelos came to Athens in 1909, after the Goudios Movement, at the invitation of the Military Association and, upon assuming the prime ministership, clashed with the palace. The film follows the man's path, through recorded testimonies (cinematic newsreels, photographs, newspapers), from his beginnings in Mournies, Crete, until his death.