In 1940s France, a new teacher at a school for disruptive boys gives hope and inspiration.
In France, in 1930, a supervisor of a boarding school for young offenders seeks to awaken the music by forming a choir, despite the skepticism of his boarding school director.
In 1940s France, a new teacher at a school for disruptive boys gives hope and inspiration.
Dr. Génessier is riddled with guilt after an accident that he caused disfigures the face of his daughter, the once beautiful Christiane, who outsiders believe is dead. Dr. Génessier, along with accomplice and laboratory assistant Louise, kidnaps young women and brings them to the Génessier mansion. After rendering his victims unconscious, Dr. Génessier removes their faces and attempts to graft them on to Christiane's.
When the men of a Sicilian village start obsessing over ravishing blonde midwife Jessica, angry females revolt by refusing to have sex with their husbands. As the local priest tries to encourage procreation, Jessica falls for a tricky recluse.
The rise of a canning maker and then his abandonment of the factory because his ideal of social progress for his workers is undermined by the Board of Directors.
Down a foggy, desolate road to the port city of Le Havre travels Jean, an army deserter looking for another chance to make good on life. Fate, however, has a different plan for him, as acts of both revenge and kindness render him front-page news.
As Dominique Marceau is being tried for the murder of Gilbert Tellier, accounts by different witnesses paint a picture of the kind of relationship the two used to share.
Three stories about pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Madame Tellier taking her girls (whores) to the country for attending her niece's communion - pleasure and purity. And lastly, Jean the painter falls in love with his model - pleasure and death.
Paris, France, December 1946. Jenny Lamour, an ambitious cabaret singer, and Maurice, her extremely jealous pianist husband, become involved in the thorough investigation of the murder of a shady businessman, led by Antoine, a peculiar and methodical police inspector.
A compilation of segments covers the seven deadly sins of greed, wrath, envy, pride, lust, sloth, and gluttony.
Jules is a shepherd who lives a humble and solitary life in rural Provence. From time to time, he is visited by a lonely widow, Fine, who longs to be his wife. One day, Jules comes across an unexploded bomb lying on the ground in open countryside. After a few foolhardy attempts to set the bomb off, Jules makes a surprising discovery. It is filled with thousands of bank notes…
Remy Germain is a doctor in a French town who becomes the focus of a vicious smear campaign, as letters accusing him of having an affair and performing unlawful abortions are mailed to village leaders. The mysterious writer, who signs each letter as "Le Corbeau" (The Raven) soon targets the whole town, exposing everyone's dark secrets.
After committing a murder, a man locks himself in his apartment and recollects the events that led him to the killing.
A group of bandits conspire to kidnap a scientist who can help them manufacture diamonds.Unbeknownst to them , the FBI is already on their case.
An employee at a jewelry store falls in love with a woman who secretly plans to rob the store.
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
Bob recruits Jacques, a desperate blacksmith, to "recover" smuggled diamonds from de Belar. The heist goes badly wrong. The crooks kill each other for the money, but the diamonds are gone and Jacques returns to his life as an honest man.
Marguerite de Valois, daughter of Catherine de Médicis, celebrates her wedding with Henri de Navarre. Officially, it's a rapprochement between the League and the Huguenots. In fact, it was an opportunity to bring all the Huguenots to Paris and kill them all at once. King Charles IX fails in his attempt on Coligny's life. Queen Margot tries to save her husband from the St. Bartholomew's Day massacre by preventing the annulment of his marriage, forcing Henri to share her bed. Two knights from opposing camps are wounded and, saved în extremis, are hidden together by the queen and her cousin. Margot falls in love with one of them, but has to run to warn her husband of a new attack...
Violeta, an Andalusian gypsy, foretells a lady she will become empress. The lady is Eugenia de Montijo, and when she marries emperor Luis Napoleón of France she takes the young girl with her. The empress'cousin readily makes her his focus of attention, then she discovers a criminal attempt against the empress.
After the death of her husband, Christine realizes she has possibly wasted her life by marrying him instead of the man towards whom, in her youth, she had a stronger inclination. To overcome these dreary thoughts, she decides to find out about him and the other men who danced with her during a ball that was a turning point in her life, many years ago. She pays a visit to those forgotten acquaintances one after the other; Christine is not only surprised to see how they have fared, but also discovers the impact she had, unknowingly, on the feelings and the destiny of these persons.
During a transvestite ball, a young provincial meets Fanny Legrand. A great love is born between them. Later, the young man learns that Fanny was a great coquette. He leaves her, he comes back, he forgives. But when he embarks for America, Fanny does not follow him.
On a rainy night, eccentric tramp Mr. La Souris finds a corpse. But the body soon vanishes in his car leaving only his wallet. While the police start investigating a missing person report, La Souris concocts a plan to secure his find.
Loursat, a lawyer, lives with his daughter Nicole in a sinister and vast bourgeois residence. Abandoned for nearly twenty years by his wife, the brilliant lawyer has sunk into alcoholism and his relationship with his daughter is virtually non-existent. However, one day the corpse of a stranger is discovered in the residence of Loursat. Nicole, who frequents a gang of young people who escape boredom by stealing cars and other objects, is immediately suspected.
The mysterious death of a well-known criminal sparks an investigation into national security.
In France in 1946, the difficult return to civilian life of five deportees and prisoners of war after having lived through the hell of the Second World War.
A young man comes back to his hometown to be confronted with a bourgeois obnoxious family who has always despised his -now dead - parents because they were music hall artists, "entertainers". But because he's the sole legatee of an uncle's fortune, his relatives become friendly with him.. at least for a while.
Paris, 1865. In a music-hall Manon accidentally kills her partner who was trying take sexual advantage of her. She is condemned to twenty years of hard labor first and then to be deported to marry a released convict. On the ship where she sails with her female fellow-sufferers she gets to know a young doctor and helps to suppress a revolt. Once arrived at her destination, Manon hesitates between her official fiancé and the doctor whose household she does not want to break...
A singer who has become voiceless is forced to leave his wife and children. He will become famous again as a clown.
Ersilia Drei, after a suicide attempt recounts her vicissitudes: hired as governess to the daughter of Consul Grotti she is wooed by Franco but soon after seduced by the very consul who drives her away after his daughter loses her life due to Ersilia's distraction. Because of economic difficulties she falls lower and lower until she meets Ludovico with whom she can perhaps hope for sincere love again. The consul's return, however, will lead her toward a tragic ending.
Martine is a young woman plagued both by poverty and by uncaring, problem parents who in no way can provide the kind of nurturing that Martine needs during her adolescent years. As a result of her family situation, Martine runs away from home and gets involved with a group of teens and young adults from the wrong side of the moral tracks.
A compilation of segments covers the seven deadly sins of greed, wrath, envy, pride, lust, sloth, and gluttony.
Shares a lead actor · Same director
In France in 1946, the difficult return to civilian life of five deportees and prisoners of war after having lived through the hell of the Second World War.
Shares a lead actor · Same director
Marguerite de Valois, daughter of Catherine de Médicis, celebrates her wedding with Henri de Navarre. Officially, it's a rapprochement between the League and the Huguenots. In fact, it was an opportunity to bring all the Huguenots to Paris and kill them all at once. King Charles IX fails in his attempt on Coligny's life. Queen Margot tries to save her husband from the St. Bartholomew's Day massacre by preventing the annulment of his marriage, forcing Henri to share her bed. Two knights from opposing camps are wounded and, saved în extremis, are hidden together by the queen and her cousin. Margot falls in love with one of them, but has to run to warn her husband of a new attack...
Shares a lead actor · Same director
The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.
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