A América do Sul

A look at Brás, one of São Paulo's main Italian districts from its start until the 70s.

An authentically marginal cinema created in Catholic university in Brazil. One of the most intriguing and imaginative moments in modern cinema in the voice of some of its select conspirators—with Carlos Reichenbach at the lead—, and through the most razing flow of images that can possibly be conceived.

Born and raised in the misery of Brazilian slums, Jorge becomes a luxury house burglar in São Paulo and gets nicknamed "The Red Light Bandit" by the sensationalist press. In addition to wearing a red flashlight, he talks to his hostages in an irreverent tone and makes bold breakthroughs to later spend the money extravagantly. His world is the decadent neighbourhood of Boca do Lixo.

Zé do Caixão is an undertaker in a small Brazilian town, searching for the perfect woman to bear him a superior child. Unable to conceive with his wife, he kills her and sets out to find someone else.

A psychiatrist experiments on four volunteers with LSD to examine '60s drug culture, soon unleashing an expert in depravity.

Two factory workers decide to spend all of their pay on a Saturday night with two prostitutes, but things don't go as planned.

An anthology divided in three segments, helmed by three of the most important Brazilian directors of the 20th century. A mother becomes involved with black magic and offers a virgin woman to the Devil in exchange for curing the illness of her only son. A poor laborer is the only man in the village with courage to face a group of guerrilheiros ("guerrilla ghosts") that haunt the minds of the locals. A young man is afflicted by fear of reptiles and spiders and the fear of being buried alive. When he undergoes a shocking event, he becomes unresponsive and is mistakenly buried, only to revive in the coffin after burial.