APPEARANCES ARE DECEIVING. Latin American political reality and its influence on our societies. *Guayakill* is a teaser that portrays the reality of Ecuadorian politicians and their lives away from the public eye.
After his friends confront him about his emotions, a young man tells the story of the girl he once loved and lost — one last time.
Shares 3 cast members · Same director
The final part of the film adaption of the erotic romance novel Gabriel's Inferno written by an anonymous Canadian author under the pen name Sylvain Reynard.
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An intriguing and sinful exploration of seduction, forbidden love, and redemption, Gabriel's Inferno is a captivating and wildly passionate tale of one man's escape from his own personal hell as he tries to earn the impossible--forgiveness and love.
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A 17 year old finds out that his girlfriend is dying, so he sets out to give her an entire life, in the last year she has left.
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Hasley, a girl with a list of unfulfilled dreams, and Luke, a complex and vulnerable boy marked by a tragic past, find refuge on the boulevard where they discover if love can conquer all.
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APPEARANCES ARE DECEIVING. Latin American political reality and its influence on our societies. *Guayakill* is a teaser that portrays the reality of Ecuadorian politicians and their lives away from the public eye.
Shares 3 cast members · Same director
After a heart transplant, Manuel feels a personality shift and explores his donor's life, leading him to meet the widowed Vale and her community.
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After his friends confront him about his emotions, a young man tells the story of the girl he once loved and lost — one last time.
Shares 5 cast members · Same director
When a young woman meets an aspiring saxophonist in her father’s record shop in 1950s Harlem, their love ignites a sweeping romance that transcends changing times, geography, and professional success.
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Vivien, an accomplished student with a passion for physics, and Roy, a troubled young man, are involved in an accident that forces them to reclaim their lives one minute at the time.
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