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August 1922. An American journalist, Jerry Thompson, travels to the Soviet Union and arrives in Azerbaijan. He visits the settlement of Mardakan in Baku. There, he meets an elderly man at a villa. Thompson can hardly believe what he hears. Standing before him is Haji Zeynalabdin Taghiyev, a once-great oil producer, millionaire, and philanthropist who lost all his wealth after the establishment of Soviet rule. Haji recounts his life story to the guest, a journey that saw him rise from a humble mason to an influential oil industrialist.

The feature documentary film dedicated to the 100th anniversary of the Azerbaijan Democratic Republic. The film highlights the events that took place on the last days of the Azerbaijan Democratic Republic.

The film is about war in Garabagh and when we look at wounded solider we see our son, brother or father.

In the autumn of 1888, Baku is preparing for the visit of His Majesty Alexander III. Millionaire and member of the Baku City Duma, Haji Zeynalabdin Taghiyev, is fighting for influence and status in society. The city mayor, Orlovsky, taking advantage of his position, seeks to seize the oil field of Teymurbekov, who has committed suicide. Meanwhile, Ismail, the eldest son of Haji, meets General’s daughter, Nurjahan Arablinskaya, and intends to marry her.

Inspired by Anton Chekhov's The Cherry Orchard, the film follows a prodigal son who returns after 12 years. His reappearance at the family home in rural Azerbaijan significantly alters their way of life.

A young woman with a broken family is looking for happiness. She wants to remarry to get rid of loneliness, so she decides to use the Internet. The film also reflects the impact of the current transition period, economic and political changes on the intellectual families of Baku. But more women and their psychology came to the fore. The psychological crises of a modern woman, family relationships are reflected in the film.

Young Ruslan rows for a team coached by his father Ali, who places many demands upon his son and is continually dissatisfied by his performance. But when tragedy strikes, his father is overcome with emotions he doesn’t know how to deal with. Debut director Asif Rustamov treats the heavy topic with remarkable subtlety and discretion, emphasizing the characters’ carefully elaborated psychology.

The film tells the heartwarming tale of Ilgar Suleymanov, a former Olympic medalist who has settled into a quiet life in his hometown. Despite having close friends and a love for fishing, Ilgar is haunted by his loneliness and lack of direction. However, when an unexpected visitor arrives at his doorstep, Ilgar's life takes an exciting and unexpected turn, leading him on a journey that will take him from Azerbaijan to the distant shores of Cuba. This poignant and uplifting film explores the universal themes of friendship, love, and the search for meaning in a touching and unforgettable way.

The film is about the inner suffering and conflictions of Yavar, father of a soldier, who can't give the news of his son's death in the war to his heart-sick wife.

Seymour Tahirbekov is an international chess grandmaster from Azerbaijan. Having won the Candidates Tournament, Seymour earns the right to challenge the defending world champion Skroten Gudmonson in the World Chess Championship match. With a few weeks left before the championship match, Seymour’s psychological and emotional state deteriorates under escalating abuse and pressure to succeed by any means.

Umid, the internally displaced person (IDP) due to War, loses the set of keys belonging to his house which is currently under occupation. The keys represent the last hope to come back to his house, so Umid still hopes he will be back one day but the accident bears a strong symbolic meaning to him. He interprets it as losing the last hope.

Samir is an amateur filmmaker. Along with his despotic father and older sister Roza he resides in “Shanghai”, a slum located in close proximity to downtown Baku, the capital of the oil rich Republic of Azerbaijan. By sheer accident, Samir captures a video of Roza getting intimate with her boyfriend.

A terrorist act is being prepared against the state of Azerbaijan and its head by the hands of Armenian special bodies. International terrorist Zorik Babayan, who leads the ethnic cleansing operations against Azerbaijanis in Karabakh, receives an assignment from the Armenian state to kill the head of state of Azerbaijan. Despite the operative operations, Zorik Babayan manages to come to Baku. In addition, a group of traitors is trying to prevent the neutralization of the terrorist. General Ali Talibov is assigned to prevent a terrorist attack.

A drama about a film crew making a movie in an isolated mountain town famous for its ancient fortress, and what happens when the town is threatened by a modern-day foreign invasion.

This historical movie is about the situation of Ganja and Karabakh khanates between Russia and Iran war.

Ali has not seen his father for 15 years. He rushes to his remote village with his family to say goodbye to his dying father. The hero, who had little contact with his father even as a child, is unable to say goodbye, but he does make it to the funeral. The hero, who suffers psychological shock from his father's death, confesses, undergoes catharsis, and becomes spiritually purified.

Picking up from the explosive cliffhanger of the sixth episode of the miniseries, the film follows the harrowing coup attempt night of July 15th, and the Police Special Operations and Special Forces heroes who put everything on the line to prevent a cultist takeover of Turkey.

A self sacrificing, selfless mother who makes the impossible "possible" for her daughter - a daughter who is ashamed of her mother and wants to run away from her mother and her life with her. Her journey to the college drives Nazli away from the village she has grown up - but years later, she wants to go back to the village where she was born, back to her mother - after all those years passed by with tons of "I wish". Candan Ercetin performed her song "Annem - Mom" once again for the movie twenty years later.

January 1990, Baku. The Soviet Union hasn't collapsed yet. Around 300 thousand Azeri have been forsed out from their homes in Armenia and Daghlig Garabagh. Rallies of protest, political meetings spring up in Baku. The old patriarch, Ismail gathers under his roof distant relatives, people of different nationalities, beliefs, and ideas. The old man is tortured by everything happening around him: unrest in the city as well as discord and discarder in his own overpopulated apartment. All his efforts to preserve the family are in vain. People want to live separately. Former friends become bitter enemies because of the senseless aggression.

Yusuf served nine years in prison for a crime he did not commit. When he returns home, he sees that his wife, who was pregnant at the time of jail, left home. While searching for his wife and child in the snowy town, he also tracks the events that happened to him. This journey, which alternates between the past and the present and becomes complicated as we ask questions, will reach places that Yusuf could not even imagine, and will change his life irrevocably.

An Azerbaijanian veteran of battle for Brest fortress takes gun again 50 years later - to defend Nagorny Karabakh from Armenians.

The film highlights the lives and deeds of Azerbaijani atabegs Shams ad-Din Eldeniz and Kara Sungur, who played a key role in strengthening the state in the 12th century. Shams ad-Din Eldeniz, the first great atabeg of Azerbaijan, leads successful campaigns, reclaiming territories and uniting the country under his rule. Kara Sungur, the ruler of Aran, engages in political intrigues and military campaigns to protect his lands and influence the sultanate. The film depicts their struggle for power, military achievements, and complex relations with allies and enemies.

Rena is a victim of rape as a young woman. This trauma becomes a lifelong tragedy for her. Years later, when she meets the man who brought this game upon her, Rena can only talk about what happened to her on a hotline.

The film on the Khojaly tragedy, tells the story of a young officer, unfolding against the backdrop of the terrible events of February 1992.

The movie describes the last remaining years of the great Azerbaijani poet, Huseyn Javid who was the victim of 1937-1938 USSR repression.

There are issues of spirituality, morality, love and loyalty in the center of the dramatic story that took place in one of the villages around Baku.

Based on the play by Ilyas Efendiyev of the same name.

After coming out of a long relationship, Alper is searching for a fresh start but finds himself in a moral conflict following an unexpected incident at work.

Kerim, haunted by past trauma, refuses to speak about what happened in his relationship with Melis. Two years later, they return to the island where their memories lie buried, hoping for a peaceful holiday. Minor tensions grow into tragicomic clashes as silences begin to speak. The vacation spirals into an endless argument; hunger and exhaustion push them to their limits. After an accident, Kerim—so quick to judge others—must confront his own conscience as truth and lies blur. Told in a real-time single sequence from day to night, the film builds relentless tension within the island’s claustrophobic atmosphere.

The stories of eight couples who met through arranged marriages and are at different stages of their relationships.

The film tells the story of two friends Farid and Ramal. Farid and Ramal were homeless young people growing up on the streets of Baku. Ramal takes advantage of Farid's innocence. He forces him to work, supposedly to save the money and go find his mother. One day, they accidentally save Ayan, the daughter of a wealthy family. Ayan tells these young people about her problems. Farid finds a solution to this problem: he advises that Ramal and Ayan supposedly love each other and get married. And that's how it all starts.

Between love, marriage, and freedom, everyone has a “marital status.”

The film tells the story of two amateur musicians, Kamran and Majnun, whose roads cross with Tamilla and Sara, a grandmother and her granddaughter and the events following this acquaintance. As a result of an unexpected event, a well-known sports commentator is forced to spend New Year's Eve with a rock musician who has not found himself, and a grandmother suffering from Alzheimer's disease with a graffiti lover.

After the delay of an official imam sent to a little village, the villagers try to find an imam to lead them during pray. After discussions, they decide to make "Bizum Hoca" (Our hodja) the imam of village, a villager loved and respected by everyone, though he is not an official one. Hodja, a different man from stereotype imams, also wants to change some bad habits villagers have. Meanwhile, the construction of one of the hydroelectric power plants (HPP) causing intense discussions in the region, next to a river flowing through the village, becomes a hot issue on the village's agenda. The villagers are against this construction and the fight begins. "Bizum Hoca" finds himself leading the villagers who started the protests.