35 MM

In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.

A teenager unwittingly reveals a terrible family secret to her new neighbors.

Anthology film portraying the stories from the collection Sleepless Nights by Ali Douagi.

After a brutal car accident, Ahmed, a driven young businessman, is critically injured and trapped in a Tunisian public hospital with his younger brother Nour. Thrust into an unfamiliar, chaotic system, he discovers a world of pain, waiting, and silent resilience. As Nour clings to life, Ahmed is forced to confront his own values, social inequality, and the fragility of control. His experience becomes a powerful lens through which the film critiques Tunisia’s struggling public healthcare system—marked by neglect and human suffering. This unexpected ordeal transforms Ahmed, reshaping his bond with Nour and his view of the world forever.

Summer of 1967. La Goulette, a touristic beach of Tunisia, is the site where three seventeen-year-old girls live: Gigi, Sicilian and Catholic; Meriem, Tunisian and Muslim; Tina, French and Jewish. They would like to have their first sexual experience during that summer, challenging their families. Their fathers, Youssef, Jojo and Giuseppe, are old friends and their friendship will be in crisis because of the girls, while Hadj, an old rich Arab, would like to marry Meriem.

Alyssa, a rebellious 19 year-old girl, and her friend Mehdi — a shy and introverted 23-year-old young man — who use their imagination to escape their unpromising reality. When they discover a contest in the south of Tunisia that may allow them to flee for real, they decide to undertake the road trip regardless of the obstacles in their way.

A determined young woman in a remote Tunisian city bucks tradition by studying for an academic degree, instead of accepting the time-honored, submissive role of her sex as a wife and housekeeper for some 'mustached man'.

Mounir is a reserved and idle night watchman. On a very lonely night, he finds a strange manner of entering the life of Latifa, his pretty neighbour with whom he is secretly in love. The unusual means will turn him into the secret witness of Latifa's agitated life and will lead him to dangerous extremes of passion.

Torn between the life he thought he could leave behind in Tunisia and the life he’s created for himself in Marseille, a man finds himself at a crucial crossroads, in Nejib Belkadhi’s latest.

A controversial issue that reflects a part of Tunisia's cultural heritage in the countryside, it takes the viewer on a journey of tension and conflict between myth and reality, through a story revolving around the dark transformations that can occur when white magic, known as "fortification" for little girls or "Tasfih," turns into demonic possession, entering terrifying dimensions that touch on both religion and science.

A pioneering film from Tunisia, Fatma 75 is the first non-fiction film by a Tunisian woman, a feminist essay film, and the first in a series of powerful films about strong female figures in the country. The film was made in the UN International Women's Year 1975, and has long been recognised as one of the most important films from North Africa, but has never officially been seen before due to censorship.

A masterpiece of Tunisian theatre and arguably its most iconic production to date, Marshal Ammar has been performed over 300 times across Tunisia and remains deeply ingrained in popular culture, especially through its television broadcasts. The play tells the story of a wealthy yet uncultured man, Marshal Ammar, who desperately tries to bridge the gap between his social standing and the aristocracy. His misguided attempts to appear refined lead to a series of foolish decisions, resulting in comical and often farcical situations.

A forty-year-old writer lives alone, only her cat holds her company. The solitude made her indifferent to the importance for her life. One day, she learns that one of her manuscripts is going to be published, at the very moment when she thought about abandoning everything; writing and maybe even life. However, she messes it up, the news of the publication arrives too late.

Sabriyya finds herself trapped in the whirlwind of caring for her domineering mother, Turkiya, turning her daily life into a chain of comedic situations. As unusual characters and new guests enter their home, relationships become entangled and the humorous moments escalate.

After the death of her husband in very strange circumstances, a young widow decides to refuse to re-many, and thereby breaks with the traditional submissive role of women. She tries to choose how to love, and how to live. A feminine journey through the depths of Islamic culture. A tale that involves reality, poetry and magic..

Set against the vibrant backdrop of contemporary North Africa, this drama follows three women as they navigate the complex interplay between tradition and modernity. Each woman, driven by her own desires for success and meaningful relationships, faces societal pressures and cultural constraints that test their resolve. As their lives unexpectedly intersect, they reveal the shared struggles and resilience needed to overcome the obstacles placed in their path.

Over three periods of her life, a grandmother keeps repeating to her grandson the same apparently trivial story.

Aicha, a Tunisian mother gifted with prophetic dreams, lives in the isolated north of Tunisia with her husband Brahim and young son Adam. The family lives in anguish after the departure of the eldest sons Mehdi and Amine to the violent embrace of war. Months later, Mehdi unexpectedly returns home with a pregnant wife in tow. Mehdi's arrival triggers old wounds and a darkness that threatens to consume the entire village.

Fred, a photographer, is in Tunisia to report on the « Bezness » (male prostitutes). Thanks to Roufa, Fred will discover this surprising environment where young men are confronted with the contradictions between tradition and modernity.

Ounayes, a masseur, works in the neighborhood's bain-maure. Without being able to count on the funeral washer, the neighbors are obliged to call on him to wash a "dead person". He reluctantly agrees but does the work in his own way.

Amel is a young photographer. When she loses her husband, her life changes. Encouraged by her father-in-law, she takes a taste of life by photographing street boys. Without fear of being scandalous, she makes the choice to look at men as men look at women.

In late 2013, Zina and Djo, both in their twenties, come back to Tunisia from the Syrian front where they were sequestrated and raped. Zina was separated from her two-month-old child and Djo finds out she's pregnant and plunges into mutism and expresses her Syrian horror only in the novel she is writing. Tunisian lawyer, Nadia and Dora, a humanitarian doctor, assist them in their hard and lengthy reconstruction; impeded by the violence of their close circles, the harsh view on the social networks and their angst. Nadia, also Driss' lawyer, a 21-year-old persecuted homosexual who's been banned from all school establishments, asks him to help Zina in the hopes that their stirring meeting will allow them to open their black boxes, to assume themselves and stand up to the unjust society.

In southeastern Tunisia, Salem and Halima spend months waiting for news of their son Ahmed, who has been smuggled overseas to Italy.