孽缘

Xiang Xue and her friends take a train from their remote mountain village for a long journey to Beijing.

The Pandora's box opened in the name of love has already been unlocked. When love is consumed by obsession, just how many uncrossable boundaries will one break just to hold onto what they call "love"?

Kwok Yun is a simple woman who leads a peasant’s life in the peaceful mountains around remote Three-Headed Bird Village. One day, after a countryside tryst with a married man, she sees a UFO – a giant glowing thing in the shape of a dumpling! The ambitious village leader Chief Chang takes advantage of the sighting, stimulating tourism with UFO tours and getting the local economy roaring with progress. Busy aspiring to strengthen relations with the USA, she is blind to the dangers such radical change can bring.

Set in the village of Aicun, Yunnan province, pic begins in the early '80s, with poor, lame farmer Ge Wang (Tuo Guoquan) pressured by his family to marry the mentally and emotionally stunted Cherry (Miao Pu). Ge weds the unkempt but harmless woman, who spends most of her time chasing children and offering them the fruit that is her namesake. Once married, the shamelessly sexual and embarrassingly naive Cherry shows an insatiable desire to have her own child. Fate intervenes in the second act when Cherry finds an abandoned baby girl in the woods. Though the sprig, named Scarlet, comes complete with a handful of bank notes, Ge panics, thinking he can't afford to raise a child, and reacts in callous fashion. Final section puts a pre-pubescent Scarlet (Long Li) centerstage as she deals with the stigma of having a mentally handicapped mother whose affection is both infinite and frequently inappropriate.

Realistic portraits of Chinese youth embracing western culture

In a small seaside town, two schoolgirls are assaulted by a middle-aged man in a motel. Mia, a teenager who was working on reception that night, is the only witness. For fear of losing her job, she says nothing. Meanwhile, 12-year-old Wen, one of the victims, finds that her troubles have only just begun. Trapped in a world that offers them no safety, Mia and Wen will have to find their own way out.

A man is murdered on a bus for trying to stop a pickpocket; no one lifts a finger to help him. He returns as a ghost and questions the empathy of the onlookers.

Ye Rutang, a single-living woman in her late fifties, struggles to maintain a dignified life amid the dangers of Shanghai.

With the continuous advancement of artillery fire in 1947, Yangquan was liberated, and the Chinese Communist Party established its own city in ruins, becoming the first people's city created by the leadership of the Chinese Communist Party. The whole film takes the construction of the city as the main line, with the elimination of enemy agents and personal emotions as the secondary line, and narrates the liberation and construction of Yangquan as a reference for other cities across the country. It has shaped the revolutionary heroism of the Communists represented by Ren Gong and Liu Shuihe in the process of building the people's city, and the responsibility of not forgetting the original intention and keeping the mission in mind

Based on the story of the folk musician Nie Er and the creation of "The March of the Volunteers", national anthem of the People's Republic of China.

2005 Chinese film