A story of a businessman who accidentally boards a train bound for Russia with his mother and has to overcome difficulties with his mother and problems in his family life.
Lost in Russia
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A story of a businessman who accidentally boards a train bound for Russia with his mother and has to overcome difficulties with his mother and problems in his family life.
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Shot in 1995, but banned until 2004, this is an adaptation of Su Tong's novel about a shrewd amoral country boy who arrives in the big city in the 1930s and works at a rice emporium.. Initially pushed around, he learns the ropes in his new environment quickly, eventually climbing to the position of boss by marrying the daughter of the house.
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Engineer Zhao Shuxin has been promoted and clones a robot in his image to attend his meetings, resulting in comic situations.
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A fiction about the founder Mingquan Yang, and the early ages of Quanjude Restaurant, the most famous Peking duck restaurant. Yang bought the Dejuquan restaurant and changed the name to Quanjude according to a fortune teller, hired cooks from the Forbidden City, and invented a special recipe of roasted duck.
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The story took place in the spring of 2003. The young and beautiful stewardess returned after a small month flight and called a takeaway at home. The postgraduate student of the history department, Zhao Xiaotian, went to work and sent a takeaway. When he came to Xiaoyue’s home, Xiaoyue was shampooing and would not go downstairs, let him send the takeaway. At this time, just happened to encounter the suspected patient of SARS in the building where Xiaoyue lived, so the entire community was quarantined and Xiaotian could not go. A youthful and beautiful, a fascinating, two people who have never met each other suddenly become a room, isolated, a romantic and witty love story, so in this extraordinary period, very place can not be self-explanatory...
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Said to be the first science-fiction film produced in China (and perhaps having its North American theatrical premiere in Future Imperfect?), Death Ray on Coral Island spares no bile, camp, or latent envy in portraying America as the cunning archenemy that will stop at nothing—industrial espionage, assassinations, even ballroom dancing—to steal China’s futuristic weaponry. The film occupies a pivotal moment in China’s modern history, representing a legacy of the Great Cultural Revolution and a harbinger of the nation’s ascension on the global economic stage. Courtesy of the China Film Archive and Shanghai Film Group.
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