ثمن الرحيل

David, now an old man, is still king of Israel. Among his sons, the ambitious Adonijah and the clever Solomon, fierce rivals, since both are prospective heirs to the throne and only one can be.

In 1972, disenchanted about the dreary conventions of English life, 25-year-old Julia heads for Morocco with her daughters, six-year-old Lucy and precocious eight-year-old Bea.

Mustapha, a young Moroccan living on small shots, meets a couple of Spanish tourists. The latter dragged him into a heavy traffic of hashish. Forced to flee his country, he finds himself on a makeshift boat, among other men. They are determined to clandestinely reach the Spanish shores in the hope of a bright future.

Alessandro D'Alatri directed this Italian drama about Jesus Christ, covering his childhood, adolescence, and early adulthood, an 18-year span not chronicled in the Bible. The film uses names of the period instead of names given in the Bible. The adult Jeoshua (Kim Rossi Stuart) reflects on past events -- his journey into the desert, baptism, acceptance into the Essenes' community, Jewish life in Galilee, his yeshiva studies, education from his father Josef (Omar Chenbod), and his spiritual growth. After seeing slavery, crucifixions, the stoning of an adulteress, and brutal Roman soldiers, Jeoshua turns to God for answers, leaves the village, and is betrayed by his friend Aziz (Said Taghmaoui), who leaves him to die in the desert. Issues such as carnality bring Jeoshua in conflict with the Essenes, yet he speaks out on behalf of the Essene David (popular Italian singer Lorenzo Cherubini).

Story of two women in a small fishing village, a Spanish enclave on Moroccan territory. Touria is married to the school teacher, who suspects her of infidelity and confines her to the house. Touria befriends Moira and together they learn how to dance the flamenco.

The film revolves around a strained relationship between a father and his son, marked by years of silence and estrangement. The son eventually has to undertake a journey connected to his father's burial, which becomes an opportunity for the two sides to confront their past and move toward reconciliation.

The film follows Zaynab an-Nafzawiyyah, wife of husband Prince Yusuf ibn Tashfin, founder of the city of Marrakech during the Almoravid era

The film is about the suffering of a mother with one of her sons who asks her to sell the family home, one of the traditional old houses, to repay his debts, but she categorically refuses to bow to his request in favor of the "commandment" of her husband, who recommended before his death to keep the house.

Sara has just come out of a divorce that affected her deeply when she meets Said. They fall in love and get married, but the question arises, will this new marriage be enough to exorcise the demons of the past and allow for a happy life?

The film revolves around "Riyadh"; the historical and archeological house owned by al-Muti. Some of the brokers, especially the brother of Haj Hamman, try to pay Mu'ti to sell him in any way. But Hajj Muti insists on his position, clinging to Riyadh, the symbol of his national identity, and stands a stumbling block in front of the broker.

Mahjuba is a middle-aged old maid. She lives in a house surrounded by a large plot of land with her half-brother, who exploits her, and his teenage son, whom she looks after. As the boy becomes an addict, she forgets about the idea of marriage, but her neighbor asks to marry her and proposes to her the idea of turning the land into a wedding hall, and she agrees, but her brother stands in the way.

Demande d’Emploi is the story of three young Moroccans from working-class neighborhoods, graduates and unemployed, looking for work, but also a love story in the background.

Moroccan horror movie, the heroes are the members of a family who bought a big house at a good price and who discovered later that the house e was inhabited by by a family of ghosts. The new owner has not found a solution to fight them and try to put them out of the house by using a ghost hunter 'Faqih'. The thing that will infuriate the creatures that will begin to defend themselves and try in turn to scare away the new owners. Last solution for both families is other than to share the house and live in peace together.

Ahmed and Houda decide to meet for the first time in the privacy of an apartment, away from the prying eyes of others. After devising a strategy to overcome all obstacles, they find themselves face to face in this foreign apartment that still bears the traces of a recent tragedy. When they return home at night, they realize that they are no longer the same.

A Moroccan film tells a dramatic social story about a middle-class family suffering from the father's stinginess, who does not leave his old coat, which brought suspicion to his wife and three sons about the mystery of this coat, which will be illustrated at the end. His interest in raising money without caring for his children has divided the family.

A Moroccan drama film that tells the story of a company manager, who helps a girl one night, but she dies in his car and he is accused of killing her. His son tries to help him by offering a bribe to a judge whose son suffers from cancer, but he refuses to offer, He tries to approach the daughter of the judge, deluding it to be a filmmaker to photograph her while changing her clothes This is in order to blackmail her father, but he falls in love with her

Jawhara has grown in prison after the rape of her mother, Safia, and has lived for six years behind bars by her mother's side. Through her innocent vision, Jawhara grew up looking and watching the world of families telling the story that brought her mother together with her alleged father Saeed. Saeed and Safiya lived together a period of youth marked by enthusiasm and ideal values. Inhuman living conditions. Jewel's search for the truth of her mother and father's story leads her to tragedy...

The film follows Serhane Nawras (سرحان نورس), a well-known Moroccan writer and novelist who receives an invitation from an association to attend a ceremony honoring him for his artistic/literary career. He expects the ceremony to include a substantial financial reward—around 100,000 dirhams—but his journey to the ceremony turns into a series of funny and unexpected situations

Lhadj Benmoussa, a rich jeweler, is married to several wives and appear to be a good manager of the three concubines, except when Houda, his third wife, who is young and gracious, is repudiated for the third time.

In Paris, Clara, psycho motor therapist, and Ismaël, music teacher, have been lovers for four years. Happy, the couple are expecting their first child and decide to move in together. But the news is not well received by their respective families because Clara is Jewish and Ishmael a Muslim. Although not practicing, this difference will gradually sow trouble in their love life.

In 1568, Saadi prince Abdelmalek is exiled from Morocco by his brothers, an event that is only the beginning of his adventures: fighting the Spanish Inquisition, taking part in the Battle of Lepanto, being incarcerated in Alicante prison, and assist in the Conquest of Tunis. Eventually, he returns to Morocco to fulfill his destiny.

The story of the film revolves around the life of a young man who despite living in poverty, is struggling to become a lawyer and then devoted his life to defending and helping the neighborhood comrades

As Haj Moussa is caught by border guards while trying to reach Gibraltar in a small boat, he is sent to prison, and his family tries to help him return home, while his wife tries to procure money for the household and run the business.

The Green March is a film where the destinies of a handful of men and women intertwine, all united by the common goal of peacefully fighting for the freedom of a colonized territory, driven by the same dream: to contribute to the construction of modern Morocco. It is also the story of Zhor, who risked her life 40 years ago to bring her child into the world on the land of occupied Moroccan Sahara.

Don Mendo, Marquess of Cabra, gallant and dashing knight of medieval Castilian, is also a virtuous mandoline player and a specialist in climbing towers. But he has a bad run, all played and all lost at seven-thirty (card game), and lost his honor playing in his latest escalation of love to the apartment of his beloved and beautiful Magdalena. Don Nuño Manso de Jarama, father of Magdalena, has pledged the hand of his daughter to the Duke of Toro, and surprises Don Mendo in the room of Magdalena. To save the honor of his beloved one, Don Mendo says that no love has led him to the Tower, but he has climbed to steal. Magdalena is clean of all suspicion, and he is condemned to die buried in the castle wall. The Marquess of Moncada and other noble gentlemen, all friends of Don Mendo, facilitate his escape.

A Moroccan film deals with the story of Abdelhak the employee who suffers from great psychological pressure as a result of his family problems with his wife and mother-in-law on the one hand and his mother on the other hand, in addition to his work problems.

In the early 1960s, after Morocco’s independence from France, many of the country’s Jews clandestinely left for Palestine. The Jews of the little town of Bejjad plot their departure with the help of their rabbi. Once he learns of the Jews’ plans, Mustapha, the bar-owner, panics; if all the non-Muslims leave, the Law will make him close the bar. How will he avoid such a disaster? He’ll have to hold back one Jew!