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A well-off young lesbian couple vacationing on a Greek island explores an abandoned hotel. An accident and a clash of different worlds set off a spiral of violence and revenge.

Antigone returns from Athens to her troubled hometown, determined to keep a low profile. But this is a complex, difficult woman — her name is no coincidence — and her run-ins with the town's brutish men set a dramatic series of events in motion. A moral drama with an edge.

Two brothers, who are rivals in life and in their professional careers, come into conflict when they fall in love with the same girl. She, hurt by the younger brother, decides to marry the older one, exacerbating the rivalry between them.

65-year-old Vangelio decides to go on holiday after her husband's death. In a run-down off-season seaside resort she meets Vicky, a young woman caring for her alcoholic father. When Vangelio protects Vicky from her father's violence, chaos erupts in their seaside town.

Everyone carries something, some burden that weighs him down. Some are crushed, others are freed, others just carry on. Eleven characters cross each others paths, unveiling their fears and desires, during the world weightlifting championship

One night, a woman and a man in a house, while outside the city lives and entertains.

On the border between Greece and Albania, Karafil searches for a tree he planted when he first emigrated five decades ago. However, without any clear memories of the initial crossing, the search proves harder than he ever imagined.

Eleni is diagnosed with cancer. After the initial shock she tries to get her life back together.

This picture of Alisher Khamdamov is constructed as a legend of Bakhshi, who pulls his endless song about the brave defender of all the disadvantaged Namaz, thereby brightening up the halt of Russian officers who are serving a dull service in the Turkestan region.

Two people meet up in jail when they come for monthly visits of their spouses. They fall in love after becoming witnesses to a wedding in jail but their relationship has to end because both their spouses get amnesty from the government.

In late-1960s Athens, a student forms a strong friendship with a group of young dreamers, against the backdrop of the military dictatorship.

An Albanian TV movie directed by M. Shanaj.

A new teacher comes by transfer to an elementary school in Athens. He will distinguish a student which can't read, write or do arithmetic, and will help to discover some other talents he has, and will give him an incentive to try to learn.

A man gets out of prison. Like a modern Ulysses he will undertake a homeless journey into contemporary Athens peopled by migrants, homeless, and other marginalized persons of the society. On his way he will meet a woman and a little girl. Are the three of them members of a disrupted family or just persecutors and victims of a violent and conflict driven society that prevents them from living together?

Inspired by the real-life story of a bus hijacking in Northern Greece, HOSTAGE explores the sensitive issue of Greek-Albanian relations through a young Albanian who takes over an intercity bus. Upon hijacking the bus, he takes the seven passengers hostage and demands a ransom of half and million euro, and safe passage to his homeland of Albania. Surrounded by police, the bus trundles towards the Albanian border and the tension mounts until the final harrowing conclusion.

After his wife died a man refuses to go out and doesn't want to talk to his only son. Life has no meaning for him. One day his son finds a baby pelican and decides to leave the bird at home. Pelican helps the boy find his father again and revive him back to life ...

Three separate stories about lonely men from Northern Greece facing turning points in their lives. In "A Silver Coin on the Lips", a bereaved archaeologist works in the ruins of ancient Philippi and embarks on a journey to heal from a major loss; in "The Last of the Lesser Whites", a dedicated game warden helps ornithologists track an endangered lesser white-fronted goose along the Evros River Delta; and in "Vietnam", a dejected furniture wholesaler from Kilkis deals with a painful breakup by drinking in a loud, remote club, leading to an emotional collapse.

Flora, a journalist in a Western country, comes to her homeland to trace the early life/identity of Mother Teresa or Anjeza Gonxhe Bojaxhiu, to produce a feature. But soon she will face the surprise of her own identity. Two different lives, in search of their identities, so badly effected by the past, during the communist system.

Margarita and her father, returning to Pylos, they will be confronted with the rapid tourist transformation of the place. Margarita will become the cause for those old friends of his to mingle again and claim a spot, in the shade of the plane tree, taken over by tourists.

It’s the hunting season. Two grieving, estranged brothers try their marksmanship together with their sons. Can a bird’s heart stop in the sky with no bullets coming through its body?

Medea, Jason, and their two children live as refugees in the Greek city of Corinth. When Jason abandons her to marry the king's daughter, Medea is forced to leave the country, on penalty of death.

At age 19, Stratos committed a crime of passion. He spent half his life in prison, where underground boss Leonidas took him under his wing. One day during a rival gang attack, Leonidas saved his life. Stratos never forgot this. A free man now, Stratos works the night shift at a bakery workshop, a far cry from the killing contracts he executes by day. He gives away all his money to spring Leonidas out of prison, funding an escape plan managed by Leo’s brother, Yorgos. The fulfillment of his debt is the only thing that matters to Stratos, everything else is indifferent and he lives detached, surrounded by ghosts and fallacies. The day of the escape, the most important day of his life, is near…

In the mountains of Northern Albania, a young man seeks revenge for his father's death. The murderer has disappeared a few months ago and the police is still looking for him. The young man kidnaps the killer's only son and raises him up until he reaches his 16th birthday, when according to the Kanun, the Albanian law of revenge, a child becomes a man and he is allowed to kill or to be killed.

An avid collector of Greek objects in Asia Minor, Dimitris, prepares an exhibition on multicultural life in Smyrna before World War I. In a trip to Izmir his girlfriend Rita, he finds in a small antique shop a Greek wedding dress that is stained with blood and an old photograph that send him on a journey to bridge the past with the present.

A snowy border mountain. A hunter has an unexpected encounter with a dramatic outcome. The roles of killer and victim alternate. The feelings of remorse, guilt, and the need for revenge prevail.

Coming home to make amends with her estranged father, Eleni finds herself confronted with an unexpected kinship.

A husband whose young wife has committed suicide meets for the first and last time his Russian mother-in-law who has arrived to collect the coffin.

A modern version of Orpheus and Eurydice. A romance in extremes set at a dystopian future by the acclaimed Greek director Dimitri Athanitis. Provocative, already a cult film. After being released from prison, Eurydice gets a job as a waitress but also as a naked model for a mysterious photographer who blackmails her. Orpheus, a cashier at a super market meets her by chance and falls for her at once. When he loses her, he shall travel all the way to hell, to get her back. Dimitri Athanitis's take on the "Orpheus and Eurydice" myth is stylish and sexy. Lena Kitsipoulou is totally magnetic for her fellow characters and the viewer.

Six goodbyes and a welcome. The very ending of dramatic, melodramatic and funny scenes of everyday life.

A Polytechnic student, Thanasis, shortly after the death of his mother, moves into the house of his forty-five-year-old brother Petros, who still lives in the atmosphere of the 60s. A former Polytechnic student, he too had formed a rock band with his friends, a group that they still try to keep alive in their free time. Thanasis sees on the doorstep of the house a woman who looks a lot like Eleni, his brother's former girlfriend. He watches her intently and realizes that it is indeed Eleni. She has come from abroad to attend a regular meeting of the old company, which no one seems to remember anymore.

After he kills a detective, a con artist and his wife must trust a potentially dangerous stranger to help them get out of Greece.

Most adults dream of staying in childhood forever; go through life like a game, free of society's rules and restrictions. Five employees in a metal company put this dream into effect. What they find is: you may escape the rules but you can't escape the consequences or your personal responsibility.

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

During a strange night, a prostitute, an opera singer, a fortune teller, a travel agent, a police chief and an insomniac meet by chance.

Love leads to madness when an unstable man falls for an unsuspecting woman in this thriller from Greece. Iasonas (Giorgos Kakanakis) is throwing a party one evening when a friend introduces him to Penelope (Serafita Grigoriadou); the two quickly hit it off and soon she's sharing his home. However, before long it becomes obvious that something isn't quite right -- each of them tends to see things in different ways, Iasonas has a hard time making his memories skew with what has actually happened, and tension between them reaches the boiling point. But when the relationship finally explodes into violence, what actually happens between Iasonas and Penelope?