FILM
A pair of struggling artists meanders through Athens, Greece, posing as tourists to keep a roof over their heads.
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Καμαριέρα και μανάβης
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FILM
Νύχτες της Αθήνας
FILM
Struggling to make ends meet, the talented but still unrecognised artist, Miltos, knows firsthand what's it like to try to live off art alone. Already behind in the rent, Miltos is utterly unaware that he has just inherited a fortune from his long-lost uncle; a piece of vital information only the secretary in the notary's office, and her statuesque friend, Popi, know. Under those circumstances, Popi hatches an ambitious plan, intent on getting her hands on Miltos' money; however, the impecunious painter is head-over-heels in love with Litsa, the beautiful daughter of the neighbourhood's taverner. Will Miltos give in to Popi's intoxicating beauty? But, what is more precious, love or money?
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A young and pretty girl, Violeta, is in love with a kind young artist, Alekos. The feelings are mutual, but the two young people have to face a severe old maid, aunt Pinelopi.
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FILM
Surrounded by wealth, an impecunious young lady leaves home and the suave man of her dreams to spread her wings in Athens. But, he refuses to give up on her. Will she ever know that love awaits at the villa with the four marble stairs?
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FILM
The film, with many scenes shot on location, constitutes a precious document as it exquisitely captures some of the most important landmarks of Athens and its outskirts, as well as daily life in the 1930s. synchronise moving images with a sound-ondisc system in Greece, using a semiimprovised setup according to press coverage of the time.
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FILM
A beautiful Athenian lady (Lida Miranta), who spends the summer in Hydra, falls in love with a fisherman (Lampros Konstantaras) and “steals him” from his girlfriend (Evgenia Danika) to turn him into a singer at Athenian nightclubs.
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FILM
The story refers to a group of people struggling to improve their lives, but their strenuous efforts encounter insurmountable obstacles and often end in tragedy, as luck smiles on them occasionally, but without any real reward.