Érase una vez en Venezuela

Bob Parkinson, the conservative patriarch of a suburban family, thinks he's a nice guy. After a brain operation, however, his latent prejudices turn into vivid experiences in his own home and his life becomes an increasingly horrifying nightmare eventually prompting a personal transformation... or not.

Salserín, la primera vez, candidly recounts a story of teenage love framed in the genesis of a salsa band that was once a musical phenomenon in the mid-nineties.

In the wake of a banking crisis, four middle class friends throw a 'white glove' hold up, only to find out that their bank has already gone bankrupt.

An attractive young cowboy, new to the city, meets a gay casting agent.

Film by Rolando Peña, with Rolando Peña and Iván Loscher.

Biography of famed artist Salvador Dali, focusing mainly on his relationship with girlfriend Gala and the time they spent in New York City in 1940 and his early days in Spain collaborating with filmmaker Luis Bunuel.

Documentary in four parts on Latin American cinema. Third episode: from the 1960s, France and Europe showed a real enthusiasm for Latin American cinema, but the latter remained hampered by numerous economic and political obstacles.

Vidal Rojas, an opponent of the dictatorship of Juan Vicente Gómez, after failing in a subversive attempt and suffering a romantic disappointment, decides to enlist in the revolutionary groups in the interior of the country.

Reel 21 of Gérard Courant’s on-going Cinematon series.

Tierna es la Noche is a film without bullets nor sea, without mosquitoes, without peasants nor flowers. It only contains a barman, a man and a beautiful woman who lives in a bathroom. For commercial reasons, we have included two policemen, a drop of blood and a multilingual nymphomaniac. For aesthetic reasons, a tear and a black man. For both reasons, the film takes place anachronically, during the fifties and nineties in a make-believe city called Caracas. It's a story of histerics, like all stories, unfinished.

A series of unrelated amorous lovers are connected by a chain of desire.

Trino, Nerio, and Alfonso are poor chamber musicians trying to survive by playing wherever they can. During a general's funeral, the musicians try to play funeral music, but the screams of one of them, who thinks he's seen the deceased's hand move, cause such a commotion that the participants run away in terror.

A husband decides to give an original gift to his wife.

Ten years after General Antonio José de Sucre - Grand Marshal of Ayacucho- was murdered in the Berruecos jungle, Colombia. The inquiry into his death is reopened, Captain Alejandro Godoy take charge as prosecutor. Several political motives mean that the case must definitively be drawn to a close. Godoy discovers that a large part of the documentation produced during the original inquiry has been destroyed. With his own life in danger, Godoy discovers a highly intricate plot that put an end to Sucre's life.

As a boy, Dominik watched an American crime boss murder his father, a police officer fighting corruption in Sofia, Bulgaria. Years later, he attempts to avenge his father's death but is imprisoned for 15 years for attempted murder. In prison, he meets an American photo-journalist who shares his enemy and his thoughts of revenge. Released from prison, the two hatch a plot which involves the man's recently-arrived daughter.

The Orinoko: main character in the film. The first part is set during the pre-conquest and is represented as an earthly paradise. A shaman has precognitive visions: go to Columbus and the Catholic missionary in 1498.

This is the first of Diego Risquez’ trilogy of avant-garde cinematic treatments of historical subjects. Using a painterly style, it features portraits, still lifes, and scenes shot as tableaux vivants, the film provides an experimental interpretation of the arrival of the Spanish and their domination of the New World, as well as the Venezuelan Independence movement, focusing on the role of Simón Bolívar. There is no dialogue or narration, simply a musical score and the depiction of events from Bolívar’s career.

A conversation between Rolando Peña and Iván Loscher during the construction of the Caracas subway. "La Cotorra No. 2" is a very personal, humorous rehearsal of the current communications of our societies as well as ours.