Nicanor O’Donnell travels in a time machine to the year 1960, in search of the epic spirit of a country in revolution. He enters a bar and tells his story to a stranger. But neither of them has any idea how much this encounter will change their lives.
While Havana is full of zombies hungry for human flesh, official media reported that the disturbances are caused by dissidents paid by the United States. Panic seizes all until Juan comes to the rescue: he discovers he can kill the undead destroying his brain, and decides to start a small business under the slogan "We kill your loved ones."
Ricki travels to Cuba after many years to meet his girlfriend Beatriz, but she has changed a lot; Claudia, in a desperate search for money to buy a house, tries to scam a drug dealer; and Celina, a necrophiliac prepares to spend a weekend with a corpse.. Three dark love stories that, thanks to various unforeseen events, will intertwine until they become the revelation of the plot of a film that at the end of the story illuminates the drug dealer.
Nicanor has been arrested for doing graffiti at three in the morning. Against all logic, the graffiti is in favor of the government. The police captain who interrogates him—a cultured policeman, for a change—tries to understand why he does it.
Three stories, loosely inspired on short stories from classic Boccaccio’s Decameron, are connected by a creatively-bankrupt writer who offers money in exchange for original subjects.
Fictional documentary in which researchers and ordinary citizens try to clarify the abrupt disappearance from the political scene of leaders once known as “trusted men,” and how they have been sighted in the most unlikely places. Finding these men and confronting them on camera is the goal of two investigators.
In a tenement in a poor Havana neighborhood, four men are playing a game of dominoes: Rodríguez and Nicanor versus Sangremono and Pepe “the Victim.” Once the game has begun, Rodríguez suddenly mentions that he has heard some astonishing news that concerns the future of the country and every one of its inhabitants…
Sun is setting on Havana. Five friends are gathered to celebrate the return of Amadeo after 16 years of exile in Madrid.
Amor Crónico follows Grammy-nominated, Cuban-born CuCu Diamantes as she embarks on a whirlwind tour of her home country. Interweaving glamorous live performances with a fictional romance, the film pays tribute to the history of cinema in surreal fashion. Backed by a high energy Latin soundtrack, Cucu's journey is a visual love poem to the sites, sounds, and people of Cuba.
Nicanor, his wife, and his in-laws watch Cuban television. In a single twenty-minute shot, the differences surface between Nicanor, who supports the Revolution, and his father-in-law Damián Rodríguez, a former Batista supporter. The two women try in vain to mediate, and the conflict seems irreconcilable. However, they have no choice but to make up with each other every night.
A world record, an accident, a heroic act, a matter of scientific interest. All this happens simultaneously. The editorial board of the newspaper La Avanzada must decide what goes on the front page.
At an unspecified event, everyone votes in favor. Unexpectedly, there is one vote against: Nicanor O’Donnell’s. When Nicanor goes to the bathroom during the intermission, some curious delegates follow him, eager to find out why he dared to vote against. The suspicion that someone is locked in a stall, listening to everything, turns their sympathy into mistrust toward Nicanor. But the one locked in the stall is also a poor wretch.
Cuba has changed in the near future, but Nicanor and his friends still meet in a park to talk about politics…
A group of actors shows up to audition for the lead role in a co-production with Germany. Through their interviews and interactions, their miseries, desires, and frustrations are gradually revealed. The selection process takes three days; in the end, there is only one winner…
Fefo dies, but at his wake the widow’s sadness will soon be offset by some news that brings joy back into her life.
Nicanor has been arrested for doing graffiti at three in the morning. Against all logic, the graffiti is in favor of the government. The police captain who interrogates him—a cultured policeman, for a change—tries to understand why he does it.
Shares 2 cast members · Same director
In a tenement in a poor Havana neighborhood, four men are playing a game of dominoes: Rodríguez and Nicanor versus Sangremono and Pepe “the Victim.” Once the game has begun, Rodríguez suddenly mentions that he has heard some astonishing news that concerns the future of the country and every one of its inhabitants…
Shares 2 cast members · Same director
Nicanor, his wife, and his in-laws watch Cuban television. In a single twenty-minute shot, the differences surface between Nicanor, who supports the Revolution, and his father-in-law Damián Rodríguez, a former Batista supporter. The two women try in vain to mediate, and the conflict seems irreconcilable. However, they have no choice but to make up with each other every night.
Shares 2 cast members · Same director
A world record, an accident, a heroic act, a matter of scientific interest. All this happens simultaneously. The editorial board of the newspaper La Avanzada must decide what goes on the front page.
Shares 2 cast members · Same director
Fictional documentary in which researchers and ordinary citizens try to clarify the abrupt disappearance from the political scene of leaders once known as “trusted men,” and how they have been sighted in the most unlikely places. Finding these men and confronting them on camera is the goal of two investigators.
Shares a lead actor · Same director
At an unspecified event, everyone votes in favor. Unexpectedly, there is one vote against: Nicanor O’Donnell’s. When Nicanor goes to the bathroom during the intermission, some curious delegates follow him, eager to find out why he dared to vote against. The suspicion that someone is locked in a stall, listening to everything, turns their sympathy into mistrust toward Nicanor. But the one locked in the stall is also a poor wretch.
Shares 2 cast members · Same director
A 36-year-old meek woman realizes that there’s younger people trying to outpace her doing much less, so she makes a risky change by removing her filter.
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A tight-knit group of friends can't live without each other, that is until one of them announces their marriage. In the midst of dealing with this change, they stumble upon the perfect chance to throw a wrench into the wedding preparations.
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A man finds the best motivation to secure and save his town: making an independent Mexican film.
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Claudio Caballero decides to gamble $500,000 in a desperate attempt to raise the cash necessary to bring the world's biggest band (U2) to Mexico.
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Ernesto Guevara, known as 'Che', leads a group of Cuban exiles under Fidel Castro in a revolution to overthrow Fulgencio Batista, the dictator of Cuba.
The story of Iluminada, a woman who, having studied to be a literature teacher, ends up working as an usher in an iconic cinema in Havana.
A lesbian, an aspiring actor, an aspiring singer, a low-class marriage, a neighborhood community and 2 renowned directors have memorable less-than-24-hour-long experiences while living in/visiting the capital of Cuba.
It's an open wound. With Estrés, Marilyn Solaya doesn't seek to tell stories: she exposes them, shakes them up, leaves them unanesthetized. In six intertwined stories, the director turns everyday life into an emotional battlefield, where poverty, love, illness, and dignity clash relentlessly.
Javier is an actor with an affinity for writing. When he begins his love story with Luisita, he does not know where the truth begins and ends. Fifteen years later he has converted his story into literature that relates his tragic love story in a creative way.
The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),
After languishing in a Barcelona prison for nearly a decade, a busted bank robber attempts to find the girl who made off with the cash in this suspenseful tale of revenge and betrayal starring Adriana Gil and Eduard Fernández. Ex-con Martin Losada is out of prison and on the hunt. When he and his band of anti-Franco bank robbers were busted after a botched heist ten years ago, the only member of their team never caught by police was his long-gone ex-girlfriend Julia. Now, on the eve of the 1958 revolution, the recently released ex-con sets his sights on Havana in a determined bid to find Julia, and stake his claim on his rightful share of the take.
A hundred years from now, there is a world war. The fighting is not over territories or ideologies, but over establishing one form of healthy eating above all others. Nick is a Veg (vegetarian) soldier who is taken prisoner by the Macs (macrobiotics). In prison he meets Ana, a beautiful Ollie (ovolacto vegetarian). Together they look for ways to escape, or at least to survive…
At the age of 24, and with serious charges hanging over him, Leonardo da Vinci is thrown into a Florentine dungeon where several common criminals are rotting away.
Superheroes play a leading role in many contemporary films, and Latin American animated films are not left out of this. This is evident in La Súper, the colorful first feature-length film by veteran Cuban animation filmmaker Ernesto Piña. Yudeisi is a young woman whose fight for justice makes her the chosen one for a series of superpowers. These do not come from technology or experiments, but from an aboriginal warrior who freed the inhabitants of her village 500 years ago and whose spirit resurfaces to fight for good. Yudeisi as a new defender uses her qualities to defend women from male violence.
