When five Kurdish prisoners are granted one week's home leave, they find to their dismay that they face continued oppression outside of prison from their families, the culture, and the government.
When five Kurdish prisoners are granted one week's home leave, they find to their dismay that they face continued oppression outside of prison from their families, the culture, and the government.
Guner Sernikli is a government official who, with his wife and their wheelchair bound daughter, has been assigned as the head librarian to this isolated province, virtually an exile since there is no library in the village. The family is warmly welcome, but these are the years of political anarchy and leftist/rightist clashes in big cities and the youth of the village inevitably follow the tides. They arrive in Vizontele, just as the situation is becoming really absurd. Guner brings wisdom; his daughter Tuba brings beauty, innocence and love. Some like the Mayor, Nazmi Dogan and crazy Emin appreciate these things but they are in the minority and confusion continues to reign. The story is based on the memories of writer-director Yılmaz Erdoğan of the last summer of his childhood in Hakkâri, Turkey in 1980.
A group of affluent private school slackers enjoy a prankster lifestyle until a tough new disciplinarian headmaster arrives.
In the southeast region of Turkey, the Kurdish family of Altun lives in a small mountainside village plagued by a 25-year war that makes their daily lives a hellish struggle. As the war intensifies, the family is forced to migrate west to the city of Istanbul.
Duygu, who works as a translator at a translation agency, experiences loneliness with her doctor husband Yılmaz, although she does not know the exact reason why. The young woman takes refuge in her childhood to escape her inner conflicts and remembers the days when she and her brother Hâluk used to collect fireflies.
Salih is a mechanic and the son of a respected barber named Ali. A woman named Tina arrives at Cholera Street, where she takes up residence and works as a prostitute.
September 1980. Mustafa 'Mehmet Ali Alabora' and his wife, who're both laborers are married for 5 years. The couple has nothing to do with politics and spend their days happily with their 3 year old daughter and their TV, despite the clamor of guns clashing outside every night. One Friday morning, they wake up and hear the voice of Hasan Mutlucan on radio and observe soldiers marching through the streets, the very confirmation of the military coup that has taken place. Arrests begin instantly in workplace and neighborhood. Yet Mustafa, far from being disturbed, assumes that all apprehensions must have rightful reasons. Until the night he's taken into custody, charged with the crimes of a militant code named "Sehmuz".
Reminiscent of Martin Scorsese's 1985 production, After Hours, this film narrates the events of a night in the chaotic backstreets of Beyoğlu in Istanbul. The day he receives his wage, and after arguing with his wife, Haydar (Tarik Akan) leaves the house in a fury and heads to Beyoğlu for a wild night out. However, a prostitute and her pimp bring him such troubles, and he finds himself penniless and in police custody.
The images reflected on the screen come from a camera that Namik is carrying, a camera that is forgotten. The young man running in a hospital corridor is looking for his wife Nurcan, a nurse. He finds her and takes the trigger of his gun. Then he decides on his own life and all this is recorded in the camera.
Thirtysomething Suat still lives with his parents and works at his father's store when not practicing as goalie for the local football team, Esnaf Spor. The neighborhood's greatest wish is for Esnaf Spor to win the amateur league championship.
In the early days of the September 12 military coup, five-year-old Metin waits for his mother, singing to himself as he looks out the window. But his mother, Ayten, has been arrested and sent to prison. Since the child is alone at home, they take him to his mother in her cell, but despite all her jokes and games, Metin is aware of what is happening. The next day, Metin's grandfather Hüseyin Efe, who lives on Bozcaada, comes to take him, and Metin's days of freedom on the island begin. His friends exclude him because of the "communist" label his mother has been given. Yet Metin cannot even properly say the word "communist." Metin, affected by the exclusion, has another concern: his father’s photo is also on the “Wanted” posters hanging all over the island.
After being humiliated and kicked out from a music hall because they could not pay the bill, six ne'er-do-wells decide to kidnap the star performer Emel Sayın for revenge.
The injustice that people suffer in the workplace and the weight of working conditions cause them to act.
Sevda Erses is a singer who has devoted herself to Turkish classical music and strives to be principled in her work. She is careful not to go beyond professional relationships with her boss and listeners, which is why her career has stagnated. As part of her Anatolian tour with a company, Erses also gives concerts in a small town. The singer not only receives great interest from the local people but also unintentionally captivates the town's leader. However, her heart belongs to an engineer she met in the same town.
A confused script writer takes refuge in the ruins of a Byzantine church at a remote village while looking for locations for his next film.
During the period of the Wealth Tax, where many non-Muslims in Turkey were forced to pay higher taxes, often in an arbitrary and unrealistic way. Nimet and Durmuş migrate from Niğde to Istanbul and take shelter with Durmuş's friend Bekir, who finds Durmuş a job at the inn. However, making a living by serving as a porter is not in line with Durmuş's ambitions. He wants everything Halit Bey has, the inn owner. Halit Bey begins to dispose of his property in order to pay the tax stipulated to his beloved wife Nora, who was treated in a nursing home. Wealth Tax has begun to affect everyone's destiny.
In the film, which takes place between students and teachers in a girls' high school, İlyas replaces the teacher who was expelled from the school because he had a relationship with a female student. Students who do not forgive the expulsion of their previous teacher do their best to have İlyas fired as well.
In this biographical drama, the Turkish writer Rifat Ilgaz (Tarik Akan) is forced to go into internal exile after World War Two, because the government suspects him of being a communist. Most of the movie follows him while he is on the lam, and during his reunion with his wife, who grows testy from the restrictions that hiding him impose on her. Eventually he turns himself in, and while in prison, suffers some torture. All the same, he endures with the flame of his spirit undiminished.
The world champion archer, who comes from Moldova, one of the poorest countries in the Eastern Bloc, wants to compete on behalf of Turkey. To do so, she must be married to a Turkish man. The federation president intervenes and decides to arrange a formal marriage. For this purpose, a former wrestler is persuaded to be the groom. After the comical marriage, events will take a rather amusing turn. Zeki Alasya, who directed the film, once again appears on screen with Metin Akpınar, effectively responding to speculation that they are estranged.
The story of returning to villages in the southeast that were evacuated due to terrorism.
The film, adapted from Ahmet Harndi Tanpınar's story of the same name, tells the story of a traveling theater troupe that travels from city to city. The story takes place on a train during World War II. The train windows are blacked out to avoid detection.
The film tells the story of three families who produce enough to sustain themselves in a small town and live off what they produce. Talat, who runs a dairy farm, Bedrettin, who raises chickens, and Rıfkı, who bakes bread in the bakery he inherited from his father, are three friends who have lived in the same town since birth, raised their children together, and have never been apart since childhood. When Talat's child falls ill, life begins to change suddenly. The most important message the film conveys to the audience is defined as "hope."
Cazibe is a woman in her late thirties, who has never got married or had a relationship with a man in her life. She lives with her old mother and her uncle who feels an attraction towards her. The lonely woman, whose only existence is her small room, spends all her time in this old room, dreaming and fantasising about her ex-lover.
Sent to prison along with his mother after her drug conviction, a young boy develops a warm, tender relationship with a political prisoner.
Story of daydreaming rebellious Rosa searching for love from her teenage years to her deathbed.
In this biographical drama, the Turkish writer Rifat Ilgaz (Tarik Akan) is forced to go into internal exile after World War Two, because the government suspects him of being a communist. Most of the movie follows him while he is on the lam, and during his reunion with his wife, who grows testy from the restrictions that hiding him impose on her. Eventually he turns himself in, and while in prison, suffers some torture. All the same, he endures with the flame of his spirit undiminished.
Shares 3 cast members · Same director
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